Places that want your work: magazines, journals, galleries and juried shows, each with its own submission rules and reading periods.
31 open listings · Updated 6 November 2026
This page is about placement: magazines, journals, online platforms, galleries with ongoing submission policies and juried shows that read work on a rolling basis. The emphasis is on getting existing work seen and published rather than on applying for time, money or a place.
That changes what you send. Publications want images that reproduce well and a short, factual text. Galleries with open submission policies want to understand your practice as a body rather than see a single project. Neither wants a proposal for work you have not made.
Most rejections at this stage are procedural rather than editorial. Wrong file format, too many images, missing captions, a biography where a statement was asked for. Publications in particular receive far more than they can read and use their guidelines as the first filter.
Reading periods matter too. Many journals and galleries accept submissions only during defined windows, and material sent outside them is frequently discarded unread rather than held. Check before sending, not after.
The artists who place work regularly are usually the ones who keep a current set ready: ten to fifteen well-documented images with full captions, a short biography, a longer statement, and a CV. With that in place, submitting becomes a matter of selection rather than production.
Keep documentation consistent. A set shot in the same conditions reads as a coherent body of work; a set assembled from phone photographs taken over five years reads as an archive, whatever the quality of the work itself.
Galleries open to submissionsSpaces that accept unsolicited work, and how each one reads it.
Photographing your workProducing documentation that survives a reproduction at thumbnail size.
Writing an artist bioThe short text almost every submission asks for, and how it differs from a statement.
Make your portfolio stand outBuilding a portfolio that holds up when a panel spends under a minute on your first page.