Online and print publication on culture, art, philosophy, and everyday life. Our aim is to readjust global cultural production and offer a multiplicity of vantage points and perspectives from West Asia, North Africa, Eastern Europe, the North and South Caucasus, Central Asia, East and Southeast Asia, and beyond. Our ambition is to become one of the most important publications in our core regions by conducting in-depth research and sharing findings with our audience in ways both enticing and accessible.

  
EastEast is first and foremost a media platform. We use texts, photographs, audio, and video to tap into the unique and sometimes unnoticed sides of countries situated on the East-East axis. Our content is released via weekly features, daily announcements, and quarterly thematic issues. Each issue is also published in print, in the format of a newspaper with unique visuals and special projects inside. The material is published in English and Russian with an Arabic version of the platform set to launch in 2024.

  
Opposed to the external communication of facades and walls, the architecture of interiors is preoccupied with the internal life of buildings and those that dwell within. This may mean inner yards, rooms, or intimate affairs between neighbors, the materials and pipes under plaster, memories, gossip, family rituals, and objects hidden from the eye of a passerby.

Selected films will be screened on the EastEast website and the winner will receive a prize of 500 USD.

“Interiors”: An Open Call for Emerging Filmmakers

**Would you like to have the space and time to expand and experiment on your artistic practice all while exhibiting your progress to the public? Would you look forward to exchanging ideas and going into dialogue with other students or emerging artists and/or designers? Are you either an artist or designer who sees their artistic practice as fluid and interchangeable?**

  
**About the Project:**

In 2024, Het Paviljoen invites artists to explore the ever-evolving boundaries between art and design. Today's artists and designers are no longer confined to rigid disciplinary lines; they embrace a cross-disciplinary approach, blurring the distinctions that have traditionally separated these fields. This project seeks to bridge the divide and encourage dialogue among artists from diverse backgrounds, fostering a limitless framework of creative expression. We aim to challenge the age-old question of separation and encourage artists to dance on once-concrete and unmovable walls of division. The project will take place on the grounds of the Bijloke KASK & CONSERVATORIUM in Ghent, offering a space for rotating exhibitions, performances, and events.

  
**About the Curators:**

We are a group of curators, including Sina Eden, Paula Swinnen, Manon Laverdure, Lisa Verhaege, Karel Op ’t Eynde, Justine McKenna, Ismini Kyritsis, and Camille Van Meenen, selected to curate Het Paviljoen.

  
**About the Space:**

Het Paviljoen is a unique collaborative space located in the front yard of the KASK & CONSERVATORIUM building. Originally a waiting area for pregnant patients and later a dump for nuclear waste, Het Paviljoen has evolved into a dynamic space used by residents, students, and renowned artists. Its history reflects the plastic and ever-evolving nature of creative expression.

  
**Duration:**

Approximately 6 weeks of occupation, with specific scheduling to be discussed with participating artists.

  
**Start Date:**

The project commences in the first half of February, with each artist being assigned a 6-week exhibition period within a 5-month timeframe.

Transport/travel to the location is the artist's responsibility. 

You will be able to occupy Het Paviljoen for a term of approximately 6 weeks. Which period you will occupy will be discussed once accepted.

  
**What we provide:**

  
• You will receive a participation fee

  
• The opportunity to participate in a curated exhibition or event (Our current plans already include one vernissage, one finissage, and one event in the middle of the project. Your events could be added to these.)

  
• The ability to pitch and discuss possible events that fit within your artistic practice

  
• The curatorial team will be there to go into dialogue with you about any curatorial or presentational questions or thoughts you might have.

  
• Documentation and communication of your artistic practice, events we organize and progress within the project will be posted on the Het Paviljoen website and Instagram.

Jumping Fences

_“And did you feel it, in your heart, how it pertained to everything?_

_And have you too finally figured out what beauty is for?_

_And have you changed your life?”_

_\-Mary Oliver Excerpt from The Swan_

Field Guide is an exploration of the ways in which we compile and exchange knowledge that is intended to transform our experience of looking at the world. Making an introduction for us of something or someone unfamiliar, field guides move us to become familiar. They transfigure the unrecognized to the seen, the foreign to the known. In an era of ever shortening attention spans, a field guide does not only help us differentiate and identify, it helps us look, deeply, and appreciate. That attention can help us love. 

This exhibition is a call for artwork that makes an offering of information, instruction, or insight that can help us identify and make known. Like compact manuals meant to be carried with us “out in the field”, this artwork should invoke new kinds of recognition to see the world and ourselves with deepening attention not just from our heads but also our hearts. Whether developed by experts or enthusiasts, that posture of attention is a field guide pertaining to everything. That is the guide through which we can discover what beauty is for, and how through it, we can be changed. 

  

  
**Artwork delivery date: 01/08/24 - 01/12/24 DO NOT SEND ARTWORK BEFORE THE 8th. The Gallery is closed from December 23 - January 7th and we will not receive your work.**

**Exhibition Dates: 2/01/24 - 6/28/24**

**Reception: 2/13/24**
  
  

Field Guide

  
Annmarie Sculpture Garden & Arts Center invites emerging and established artists to submit original artworks to Metamorphosis: Recycled, Repurposed, Reimagined. This exhibition seeks to inspire environmentally sustainable artmaking through found objects, creative reuse, and upcycled art. By repurposing by-products, waste materials, or unwanted objects and transforming them into something with more perceived and artistic value, we encourage artists to explore environmental themes, engage in social commentary, implore a call to action, or infuse realism, emotion, or humor in their work. Artwork in this show is meant to be eye-opening, engaging, thought-provoking, inspiring, poetic, and even sometimes playful and optimistic. How are contemporary artists engaging with objects in a world overrun with too much stuff?

  
Artwork for Metamorphosis: Recycled, Repurposed, Reimagined must include a repurposed material as a primary medium. 2-D and 3-D artwork will be considered. Outdoor artwork is also welcome. All work must be created within the last four years. Artists must be 18 years or older. This exhibition will be open to the public in the Kay Daugherty Gallery of Annmarie Sculpture Garden & Arts Center, from February 9 to April 21, 2024\. It will be a primary feature at our Earth Arts Fest on Saturday, April 20, 2024\. Short-term paid residencies are available to artists accepted into the Metamorphosis show for this unique outdoor eco-art festival. Details about this additional opportunity will be sent upon acceptance into this gallery show. You can read more about Earth Arts Fest here: https://www.annmariegarden.org/annmarie2/node/245 

  
Annmarie is a Smithsonian Affiliate located in scenic Solomons, Maryland, on the Chesapeake Bay. Since 1992, Annmarie has captivated visitors of all ages with its natural setting and exceptional programs and events. Please contact the exhibits staff at Annmarie with questions about this application.

  

  
ANNMARIE AFTER HOURS (Opening Reception): Feb 9, 5-7pm

EXHIBIT: February 9 - April 21, 2024

PICKUP: April 22-28, 2024

  
TRANSPORTATION Grant - Michael Tomassoni Artist Accessibility Fund

For artists shipping works from outside the region, we have transportation grants available through the Artist Accessibility Fund, to help with shipping cost. Grants typically range from $75 to $200, and are awarded on a need basis.

Metamorphosis: Recycled, Repurposed, Reimagined

Launched by FOR-SITE in 2023 to mark 20 years dedicated to the presentation of art about place, **The Guardhouse Program** invites three artists each year to activate a former military guard station at the main entrance to Fort Mason Center for Arts & Culture, presenting new work that responds to the natural and cultural significance of the site and its surroundings. 

Selected through an open call for proposals, artists work closely with FOR-SITE to develop their proposed ideas. Their resulting installations are viewable through the windows 24 hours a day.

FOR-SITE acknowledges that The Guardhouse is located on the unceded ancestral homeland of the Ramaytush Ohlone peoples who are the original inhabitants of the San Francisco Peninsula.

The Guardhouse Program is presented by FOR-SITE in partnership with Fort Mason Center for Arts & Culture, and is made possible thanks to generous support from the ARB Fund.

**The Guardhouse Program 2024** open call for proposals will run **November 10-December 10, 2023**. Please do not email FOR-SITE with your application. 

Awarded artists will receive a $2,500 fee, plus up to $ 2,500 for production-related expenses. FOR-SITE will provide financial and dedicated in-kind staff support for (de)installation, marketing/communications, and promotion, as well as dedicated in-kind staff support from project conception through research, development, production, and installation.

The Guardhouse Program

Beam Center seeks proposals for an ambitious public artwork that will be realized by a community of more than 100 young people at Beam Camp in summer 2024.

  
Every year, Beam Camp solicits proposals for unique and spectacular large-scale projects that serve as the centerpiece for the 29-day session of camp, during which they will be built and brought to life by 100 campers and 20+ staff. Our Project Team works with the winning designers to translate their project designs into the camp context. We pride ourselves on the high level of craftsmanship and skill that our Projects and the work of our staff and campers reflect. Please take some time to familiarize yourself with our past projects.

  
Winning proposals will be selected by a committee composed of Beam Center staff, youth, past project designers, and community members.

  
**Project Site: Beam Project NH**

• Location: Beam Camp in Strafford, NH

• Completion: late-July 2024

• Past projects: _Welcome Beacon (_https://www.beamcenter.org/projects/welcome-beacon)(2023), _As Above, So Below_ (https://www.beamcenter.org/projects/as-above-so-below) (2022), and _A Universe_ (https://www.beamcenter.org/projects/a-universe) (2021)

  
**Beam Camp Disciplines and Facilities include:**

• Full wood and metal shops, equipped with a range of hand and power tools

• Welding facilities

• Textile, dye and sewing stations

• Ceramic studio

• Molding and casting facilities

• Technology lab

• Audio equipment and instrument selection

• Food Garden and Commercial Kitchen

**Award, Project Budget and Selected Artist Expectations:**

• For each selected project artists receive a $5,000 award

• Selected projects have approximately $15,000 fabrication budget

• Selected artists should have a general understanding of the processes, techniques, and materials involved in their proposal

• Selected artists must be available for bi-weekly meetings beginning 6 months before project completion in order to facilitate any necessary development, prototyping, and problem solving

Beam Center Seeks Ambitious Project Proposals for Beam Camp

**Feast: Food Represented in the Visual Arts** 

**Dates: January 26–March 8, 2024**

  
The Mosesian Center for the Arts invites artists to submit work inspired by food. Depictions of food have been around since antiquity. In mosaics and frescos from Roman times, wine, fruit, bread, and grains have been depicted in private houses and temples. In later centuries, paintings portraying both religious and secular themes often incorporated food and drinks. The still life genre pioneered by the Dutch and Flemish masters has endured for centuries. From the early representations of lavish food displays of grapes, lobsters, game animals, and exotic fruit to the still life paintings of Cezanne and Warhol’s Cambell soup cans, artists have been fascinated by food. It is imbued with symbolism and is often used to make commentary on economic and social issues. In earlier times, food still life paintings represented wealth, and some illustrated the simpler meals of bread and fish of the less prosperous. Throughout the centuries, religious and symbolic works of art often incorporated fruit and other foods to express ideas of knowledge and enlightenment, to represent the cycles of life, death, and notions of good and evil.

  
Today we are surrounded by images of food. With Instagram feeds dedicated to depictions of food to professional food photographers, food is not only sustenance but also indulgence, comfort, and an aesthetic experience. Our relationship with food is complex. We categorize food, often in a very black and white manner, as good and bad, or addictive and life sustaining at the same time. As a society, we acknowledge both the lack of food and overindulgence as problematic. Because of our current state of global interconnectedness, food from various parts of the world is available and has been incorporated in our life.

  
Mosesian Arts accepts artworks of all media such as painting, printmaking, drawing, illustration, photography, 3D, mixed media, and video that uses food as inspiration. The work can be anything from a still life painting to art pieces using food as a commentary on contemporary issues such as food scarcity, how food is produced and processed, ethical, and not so ethical practices around food, or using actual food as a part of the work. The work can be representational or conceptual in nature.

Non-local artists are responsible for shipping costs both to and from the MCA and are responsible for insuring their work while in transit. 

**Exhibition Opens:** January 26, 2024

**Opening Reception:** Thursday, February 8, 5:30–7:30 PM

**Exhibition Closes:** March 8, 2024

Feast: Food Represented in the Visual Arts

We want images that compel us to action, art that makes the page feel alive. We're interested in all different mediums and encourage experimental pieces. Please make sure all image submissions are either .jpg or PNG and as high-quality as possible. Submitted art may have previously been recognized for an award, but should not be previously published. The term "published" includes work shared on public social media accounts, websites, and anywhere else online. Please only send one packet of 1-6 pieces at a time and wait for our response before submitting again. Please include all pieces in the same submission; please do not send multiple submissions at once.

Note: We do accept and encourage photographs of your 3D art mediums such as cross stitching, embroidery, etc., but please be sure that the photographs are of high quality and show only the artwork itself against a plain background.

Call for Art

CICA Museum invites artists worldwide to participate in the International Exhibition, “Breath” We are open to photography, 2D digital art, video art, interactive art, drawings, paintings, sculptures, installation art, environmental art, and activist art dealing with issues of life, environment, politics, welfare, air pollution, fine dust, radioactive contamination, welfare, health, and the pandemic.

  
\*Deadline: December 13, 2023

  
\*The categories include:

\-Painting, Drawing, and Print

\-Sculpture & Installation Art

\-Photograph & 2D Digital Art

\-Video & Interactive Art

  
\*Installation

\-Photographs & 2D Digital Art

Selected works will be printed in 10×15 inches, framed, and installed by our curators & assistants. If requested by the artist, works can be printed and framed in larger sizes. Additional fees may apply.

  
\-Video & Interactive Art

We will provide projectors and DVD/DIVX players for the show. Multiple single-channel works will be screened through a projector. If the work is required to be screened through a projector exclusively, or more than two projectors/monitors are needed, please indicate the special requirements in the submission email. Additional fees may apply.

  
\-Painting, Sculpture, & Installation Art

The artist is responsible for the shipment and delivery of his/her physical work to and from CICA Museum, as well as all related expenses. The two-dimensional work should be no larger than 39 inch (1 m) on the longest side, and the installation piece should be no larger than 39x39x79 inches (1 x 1 x 2 m, w x l x h). The work that needs to be mounted on the wall should not exceed 10 kg. Please indicate in the submission email if you are interested in exhibiting works exceeding the size/weight limit.

  
\*Exhibition Dates: July 31 – August 18, 2024

  
\*\*\*The dates are subject to change.

  
\*How to submit your work:

Please visit our website for more information.

https://cicamuseum.com/call-for-artists-the-international-exhibition-breath/

Call for Artists: the International Exhibition “Breath 2024”

**Open Call for female artists!** In the vibrant heart of Berlin’s art scene, a revolution is unfolding. It’s not heralded with loud proclamations but whispered in the language of art and expression. krautART ARTspace invites you to be a part of this artistic uprising through its Salon de Refusées, an initiative that boldly challenges the norms and celebrates the voices of women and female-read artists.

  
Are you a woman or read as female? Has your art been turned away by juried art shows? Then this is your moment. We are looking for artists who have faced rejection and are ready to turn that into a powerful statement. Whether it’s a canvas that speaks in colors, a sculpture that tells a story, or an installation that defies convention, your art has a home here.

  
**WHAT WE SEEK:** Our Open Call welcomes submissions from female and female-read artists whose works have faced rejection within the past 18 months. Our scope includes a wide range of artistic expressions, from traditional to modern mediums. We eagerly anticipate receiving 2D works, along with a limited selection of 3D works and installations due to spatial constraints. Artists specializing in VR/AR projects, as well as any other art forms requiring technical equipment, should note that they will need to provide their own technology and setup.

Artists are responsible for the transportation and insurance of their artworks. Artworks must be ready for display or hanging.

The Salon de Refusées provides a unique platform for showcasing your rejected works, offering public exposure, networking opportunities, and the chance to be part of a movement celebrating artistic diversity and resilience. Additionally, there will be opportunities for your work to be sold during the exhibition, including an art auction performance and possibly an Audience Award at the Finissage.

Salon de Refusées

Discover open calls, art residencies, exhibitions opportunities, grants, awards, art jobs and more by leading art organizations and institutions worldwide.

Artist Opportunities

Discover open calls, art residencies, exhibitions, grants, awards, jobs and more.