**Residency open call for artists based in New Zealand!**

  
This opportunity is for an artist in the early stages of their career based in New Zealand and offers a fully funded 11-week residency at Gasworks in London from 30 September – 16 December 2024\. Gasworks’ residencies are opportunities for self-led professional development, artistic exchange, and experimentation.

  
Gasworks programmes up to sixteen residencies each year, inviting emerging and early career international artists to work alongside a community of nine London-based peers for three months. The residencies are non-prescriptive and process-based and focus on enabling artists to research and develop new work. They are made public through open studios and events, these opportunities encourage interaction, dialogue and professional networking.

  
Gasworks provides significant pastoral and curatorial support throughout the residency, however artists are also expected to be proactive and self-motivated and lead the research and production of their work while in London.

  
Residency Dates: 30 SEP – 16 DEC 2024

**The Residency Comprises:**

* 24-hour access to a fully accessible private studio at Gasworks, alongside other visiting artists and Gasworks’ permanent studio holders
* A public Open Studio event displaying work produced during the residency at Gasworks which will take place on the tenth week of the residency.
* All visa costs covered and support during the visa application process.
* Economy return flights from the artist’s home city to London, including 1 cabin and 1 hold luggage
* Single room accommodation within Gasworks’ Residency House (a 2-story house, shared with 3 other artists-in-residence), with share of the communal bathrooms and kitchen
* A weekly stipend of £150 for living expenses
* A materials budget of £800
* Access to Gasworks’ tools and AV equipment, subject to availability
* A prepaid travel card (TFL zones 1+2) for unlimited travel within central London for the duration of the residency
* Administrative, pastoral and curatorial support from Gasworks (during office hours, Monday-Friday, 9:30am-6pm)
* A dedicated residency page on Gasworks’ website
* A short video interview and presentation in advance of the Open Studio to introduce the artists’ work. The video will be permanently added to the residency page on Gasworks’ website
* At least 2 individual studio visits with curators and arts professionals (meetings will be in person however on occasions and when relevant they will also happen virtually)
* Opportunities to meet with other artists, arts professionals, patrons and collectors through at least 2 organised lunches and/or dinners
* At the end of the 11 weeks a written report will be required summarising the artist’s experiences during the residency, a template will be provided

  

Residency Call for Artists Based in New Zealand

**Open Call Residency Think Tanger 2024 / 2025**

  
For designers, architects, spatial practitioners or makers who want to conduct research and to develop new work with a focus on design, urbanism and socio-spatial dynamics, during a residency period in Tangier, Morocco.

  
Think Tanger is a multidisciplinary cultural platform dedicated to promoting culture, creativity, innovation and exchange within Tangier, Morocco. The organization, founded in 2016, brings together artists, designers, researchers, entrepreneurs and local communities to critically examine, expand understanding of and facilitate dialogue on urban and cultural dynamics within a transforming city. Think Tanger acknowledges the significant influence of the urban environment on individuals and communities and considers that positive change can take place through alternative education, creative entrepreneurship, artistic production and participatory research.

  
The residency at Think Tanger, in collaboration with the Creative Industries Fund NL and the Mondriaan Fund, was set up to stimulate crossover and experimentation while fostering an exchange of perspectives and ideas. It offers designers and artists opportunities for research, network expansion and the development of new work, with a focus on design, urbanism and socio-spatial dynamics. Participants engage with Tangier’s unique context, confronting preconceptions and addressing societal challenges creatively.

€ 11,000 subsidy amount - You will receive a grant of € 5,500 for the work period, intended to cover travel, material and transport costs and to contribute to your living expenses. The rent for accommodation and the costs for guidance will be paid directly by the Fund to Think Tanger.

  
The work periods that are offered are:

  
* 15 October 2024 – 15 December 2024
* 6 April 2025 – 6 June 2025

  
_Please indicate your preferred period in your application. We will try to take this into account as far as possible._

Residency at Think Tanger 2024 / 2025

**Wolfsonian creative fellowships invite artists of all kinds—visual artists, designers, performers, writers, filmmakers, and musicians—to immerse themselves in the Wolfsonian collection and draw visual, conceptual, or storytelling inspiration from its wide range of historical materials. The program is open to creatives with a record of demonstrated accomplishment.**

  
Wolfsonian fellowships engage scholars and artists around the world with resources held in the museum's trust and with the possibilities contained in dedicated study and interpretation of the modern age. Working full-time at The Wolfsonian over the course of their residency, fellows imagine novel ways to activate historic ideas and imagery.

  
Each fellow broadens public access to Wolfsonian collection items and enriches our collective knowledge about its artifacts by sharing takeaways and discoveries in new projects.

  
**Program details:**

Duration: 2 weeks

Between: August 2024 and July 2025

All fellows receive:

* A stipend
* Round-trip travel
* Accommodations (if non-local)
* Access to the collection and collections staff

  
**Applicants are encouraged to reach out to creative@thewolf.fiu.edu prior to applying for more details.**

Wolfsonian Creative Fellowship

**_Make your mark on Washington Square Park!_**

  
Washington Square Park Conservancy (WSPC) offers a unique opportunity for artists to share their practice with the public this summer. Now in its second year, the objective of WSPC’s Teaching Artist Residency is to support teaching artists and engage the public through accessible and inclusive weekly programming under the shade of Washington Square Park’s trees.

  
The residency is a month-long engagement that will take place every Saturday afternoon from 1pm to 3pm in the Northwest Corner of the park. Resident Artists must live in New York City or be of reliable commuting distance. Each ‘class’ is two hours long with all material costs supported by WSPC. Teaching artists’ practice must be easily transferable to elements of outdoor teaching, public engagement, and need to accommodate walk-up participants. Previous artists have successfully executed plein air watercolor painting, collage, ink painting, mixed media, and cyanotypes. The ideal residency candidate will have teaching experience and be comfortable working in a fast-paced and eclectic environment. 

  
WSPC will provide all materials required by the artist necessary to lead the class as well as provide a stipend of $1000 for teaching and preparation during the selected month. The teaching artist residency will be held in May, June, July, August and September. Months are offered on a first come, first serve basis, please note your scheduling preference in your application. **_Applications will be accepted on a rolling basis until all months are filled_**. 

  
WSPC is under the jurisdiction of NYC and expects all candidates to understand and follow the rules of NYC Parks. All artistic practice must not be detrimental to any monuments, tables or benches.

WSPC will provide all materials required by the artist necessary to lead the class as well as provide a stipend of $1000 for teaching and preparation during the selected month.

Washington Square Park Teaching Artist Residency 

Lillstreet Art Center offers year-long residencies in the departments of **_Ceramics and Metalsmithing_**, and 9-Month residencies in **_Textiles, Drawing & Painting, and Printmaking & Book Arts_** beginning in September every year.

As a collaborative, community-based art center, the residency is a place for artists to expand their personal practice and gain teaching experience; while learning how to sustain a working artist’s lifestyle. The resident artist program enriches our community by bringing artists with unique and refined skills to our educational programming through classes, workshops, public demonstrations and studio hours.

As a resident artist, you will continue to develop professionally and intellectually through contact with other residents, department peers, art administrators and students. Lillstreet Art Center supplements the residency with resources and instruction in and outside the department of residency. Resident artists have the opportunity to work together, take part in community events and sales and to be creative leaders in Chicago’s vibrant Ravenswood neighborhood while being immersed in the community.

Our AiR specific programming is built for face-time with artists, students and vendors in the Ravenswood community; other opportunities include artist features in the gallery shop, professional development through dynamic exhibitions, one-on-one studio visits with peers and interdisciplinary artists, public programs, and community building to develop a sustainable creative practice. As a professional working and teaching artist, you are also welcome to brainstorm your ideas, share resources with our students and community and build relationships by resource sharing.

**Residency Expectations**

All Artists-in-Residents are expected to teach within their departments ; teaching hours are paid. AIRs can expect to teach anywhere between 1-3 classes per session. Lillstreet Art Center’s education calendar has 5 sessions per year. AiRs can also teach private workshops, demos and custom classes which are paid.

**Community Events**

Lillstreet Art Center is a big part of the thriving community in Ravenswood neighborhood in Chicago. We host and are a part of 2-3 community events per year, along with hosting center wide staff events every year. AiRs will be offered first chance to participate in these events, which will be paid and will offer you a chance to interact with the community.

**Housing**

Lillstreet Art Center is NOT able to provide housing for residents, but there are many affordable housing options in Ravenswood, Uptown and Edgewater neighborhoods. We can connect you to other teachers and Artists-in-Residence to make it easier to split costs.

**Residency Period:**

* Year Long: September 1st, 2024 – August 31st, 2025
* 9 Month: September 1st, 2024 – May 31st, 2025

**Residency Includes:**

* Personal workspace in a group studio
* 24-hour access to facilities and equipment
* Free classes in any of our six departments
* Paid opportunities to teach and/or assist classes
* Participation in a solo exhibition with an option for an end of the residency group exhibition in the Lillstreet gallery.
* A stipend of $400 every month.

  

Artist-in-Residence 2024-2025

The Fireline Fellowship invites writers, artists, and thought leaders in the humanities to become part of a thinking community that, for two and a half years, will explore issues related to wildfire at the H.J. Andrews Experimental Forest (the Andrews). In October, 2024, fellows will meet in person with scientists and stay at the Andrews and then will meet quarterly online. Fellows will receive a stipend, opportunities to learn alongside scientists in the field, and up to four weeks of residency time at the Andrews. Fellows will develop new projects for a public audience and/or involving public engagement, and projects will be presented in collaboration with the Patricia Valian Reser Center for the Creative Arts (PRAx). Eight Fireline Fellowships will be awarded: three by invitation and five by application.

**Each fellow will receive:**

* A $5,000 stipend ($2,500 awarded at the beginning of the fellowship and $2,500 awarded after a midway progress report).
1. Fellows will use some of the stipend to cover travel to Corvallis and the Andrews, including for the in-person gathering, residency time and final event. Fellows will also cover the cost of lodging in Corvallis.
* Program organizers will cover the cost of lodging at the Andrews during residency stays and lodging and meals during the in-person gathering at the Andrews.
* Visual artists may request additional funds of up to $1,500 for materials and/or shipping costs associated with bringing art to Corvallis.
* A residency of up to four weeks at the H.J. Andrews Experimental Forest. Residency stays may be split into multiple blocks and can be scheduled individually or with other fellows.
* The opportunity to engage in learning, deep listening, and creative reflection within a diverse and welcoming interdisciplinary thinking community.
* Opportunities to connect with scientists and to experience changes over time in old-growth forest and in landscapes affected by wildfire.
* Support coordinating and promoting a presentation or event connected with their creative work or project near the end of the fellowship.

  

The Fireline Fellowship

With the ongoing support of Howard Gilman Foundation, Staten Island Arts continues the Performing Arts Residency Cohort (PARC) for performing artists for a second year (2024-5). This program supports the creative practice of 10 performing artists living and working in Staten Island through a 6-month residency cohort. This residency opportunity does not focus on project creation, and does not come with space, but rather focuses on nurturing each artist’s creative practice through peer mentorship and professional development. 

  
The PARC program will support individual performing artists across dance, theater, and music at any stage of their careers. Participating artists will be required to attend monthly cohort meetings from September 2024 to February 2025 at the Staten Island Arts offices. The meetings will serve as space to share more about your creative practice and process, including working ideas, challenges, and needs. This model aims to break down the siloed community structure in Staten Island across different forms of expression and bring more support to creative practice without an explicit focus on outcomes or products. 

  
All artists will be asked to share with the cohort about their creative practice in an introductory meeting, with senior-level SIA staff facilitating a relationship- and trust-building environment for the group. In the subsequent 5 meetings, artists will create more focused, in-depth, multimedia presentations of their practice to create space for sharing and feedback from the full cohort. All artists will be asked to engage in this peer-mentorship feedback model, with the additional encouragement to attend cohort activities (workshops, presentations, etc) outside of the established meeting structure. Between cohort meetings, throughout the residency period, SIA staff and professional NYC-based performing artists will be available to cohort members for 1:1 professional development to be scheduled throughout the 6-month residency period.

**Participation in residency program nurturing each artist’s creative practice through peer mentorship and professional development.** Awarded artists will also receive 1:1 mentorship from performing artists based in NYC and senior-level Staten Island Arts staff.

  
**Awarded individual artists will receive $6,000 in support of their creative practice.** These funds may be used to support project creation, but that is not a requirement in this grant category.

  
Please note this award does not come with space but space rental is an eligible expense. A budget is not required to apply.

Howard Gilman Performing Artist Residency

Application Fee (equal to €6.47 as of 08/04/24)

**Developed with artist Harold Offeh, residency 29 _For real?_ addresses ideas of authenticity and identity in art and society.** 

  
Contemporary media are permeated by misleading content that serves motives of financial and personal gain. Within this economy, authenticity – the quality of being real, genuine or true – carries a high premium. Influencers trade on their authenticity to sell their followers a model of what and how to be. Fake news spreads uncertainty and lies, and erodes trust. Politicians seesaw on policies in pursuit of public favour. By contrast, art supposedly exists outside of the need for truth or purpose – so what is the place of authenticity in the context or art today? 

  
The practice of artist and PRAKSIS residency convenor Harold Offeh explores concepts and questions raised by the inhabiting and embodying of histories, including the notion of authenticity. In this residency, Offeh invites participants to probe the concept of authenticity. Questions include: What are the distinctions between the authentic and the fake? Where are their boundaries (if they exist)? Today, what does it mean to be authentic, in the domains of both art and society? 

  
**More information**

  
For this residency, Harold Offeh is seeking to convene an internationally diverse group of practitioners, individuals or collective members who will bring a range of critical and practical approaches to concepts of authenticity. The residency will offer a space to share ideas and resources, engage in both individual and shared activities and test out concepts and plans. 

  
The group will collectively plan a schedule at the residency’s outset. The schedule will include daily group meetings and joint activities such as readings, discussions, visits to relevant spaces in Oslo, networking events, communal meals and socialising, alongside unstructured time for independent reflection and research. In the first week, residents will participate in PRAKSIS’s customary “Meet the Residents” event, informally introducing themselves and their practices to the rest of the group and the Oslo arts community.

  
**About Harold Offeh**

  
Artist Harold Offeh works in various media, including performance, video, photography, social arts practice and pedagogy. His work explores the concepts and questions that are raised by the inhabiting or embodying of histories. Humour plays an important role in his playful yet biting performative excavations of identity within historical and contemporary cultural tropes. He has exhibited widely at venues in the UK and internationally, including Tate Britain and Tate Modern, South London Gallery, Turf Projects, London, Kettle's Yard, Cambridge, Wysing Art Centre, Studio Museum in Harlem, New York, MAC VAL, France, Kunsthal Charlottenborg, Denmark and Art Tower Mito, Japan. 

Offeh studied Critical Fine Art Practice at the University of Brighton and MA Fine Art Photography at the Royal College of Art. In 2020 he completed a practice-based PhD at Leeds Beckett University, in which he explored the activation of Black Album covers through durational performance. He lives in Cambridge and is currently Senior Tutor in Fine Art MFA at the Ruskin School of Art, Oxford University and Tutor in Contemporary Art Practice at the Royal College of Art, London. In 2019, he was a recipient of the Paul Hamlyn Foundation Award for Artists, the most substantial award of its kind in the UK.

Residents are responsible for their own travel and any further costs.

**What the Residency Provides**

* An active, facilitated programme connected with the residency topic.
* A communal work space at PRAKSIS, in the centre of Oslo.
* This residency is supported by Culture Moves Europe and offers a stipend of €700 (€25 per day) plus a travel bursary for four residents based in the EU outside of Norway. The travel grant will be related to the distance involved and the method of travel chosen. Further funding is available for disability support, based on eligibility.
* 3000 NOK will be awarded to one international artist from outside of the EU.
* Comfortable shared accommodation for non-Oslo based residents. Oslo-based residents will continue to stay at their local address.
* Group dinners with invited guests. On weekdays, PRAKSIS will provide lunch at PRAKSIS HQ.

  
Oslo has a vibrant and adventurous arts landscape. PRAKSIS will provide residents with information and links to the city’s cultural scene, informing them about exhibitions, talks, performances and other events. PRAKSIS seeks wherever possible to connect participants with relevant organisations and individuals in Oslo, introducing the residency community to Oslo creatives in various spheres, including curators, writers, and artists.

  
Activities and events will be developed in dialogue with the residency group, and are mainly held at PRAKSIS’s space in central Oslo. At the start of the residency, participants are invited to make a presentation, informally introducing themselves and their practice to the rest of the group. Other activities include residency-related visits, a tour of Oslo's galleries, networking events, discussions and group critiques – some open to the public. A seminar event will address issues surrounding the residency theme.

PRAKSIS Oslo R29: For real?

The application for the 2025 residencies is open 1st April – 9th May 2024\. 

  
Please note that our operations will expand and we will be able to move to new premises next to the library at Alfredinkatu 3 in early 2025\. Due to this, the planning of the residency and exhibition periods is still in progress and the periods in the application form are indicative. We apologize for the incompleteness of the situation, but now you can also apply for an exhibition time.

  
* January–May 2025: only residencies

  
* July–December 2025: residency and possible exhibition

  
The application for exhibition period only will be opened later this year.

RaumArs offers an apartment to two or three artists doing a community art project per year free of charge, aims to organize work opportunities and provide material compensation and help in implementing the proposed community art project. Other artists pay a monthly fee. RaumArs supports all artists by covering the remaining living and operating costs of the residence apartment. After being selected, a confirmation fee of €150 is charged per room (non-refundable) and a deposit of €120 (refundable). The artists themselves have to take care of the general living expenses, travel and transportation costs of the artworks.

  
All residency artists have good opportunities to obtain materials for crafts from our partners. Rauma Region Street Mission, Rauma Region Jobseekers and Old Rauma Renovation Centre Tammela can also provide a working space for wood, painting or textile work, especially if you carry out an art project with them. In most cases, workspaces are free of charge, but the use must be agreed on a case-by-case basis and separately.

  
**Community residencies 3–5 months:** For the community artist(s) RaumArs offers free accommodation (value approx. 1200€/month) and in addition RaumArs participates in the project's travel expenses (maximum 300€), material costs (maximum 100€/month) against receipts and helps with practical arrangements. You can also apply for the residency as a working couple, but then the artists share the expenses and the residency room.

  
**World Heritage Residency 2 or 3 months**

* Rauma has two UNESCO World Heritage sites: Old Rauma ja Sammallahdenmäki, which is a Bronze Age burial mound area 20 km east of the city. We especially encourage projects related to Sammallahdenmäki.
* both residence types have an interesting opportunity for collaboration and workspace in the Renovation Center in Tammela.
* 2 months residency is mainly intended for archaeologists, architects or researchers. In return, we expect a lecture, performance or other similar event accessible to the public at the end of the residency period. Reimbursement of travel expenses up to €300.
* 3-month residency for artists of all fields who implement a community/participatory art project. Reimbursement of travel expenses up to €300 and material reimbursement up to €300 against receipts.
* the research or community art project must belong to one of the following topics: world heritage, cultural environment, cultural heritage, archaeology, wood construction or traditional construction.
* Wi-Fi and social facilities are available in Tammela's office premises. The staff of the Tammela and Rauma City Culture and Museum Services help to create contacts with public administration organizations and local residents and entrepreneurs.
* the applicant pays the residence rent, but has the opportunity to apply for a scholarship for accommodation costs from Old Rauma Foundation.
  
  

RaumArs A-i-R in Finland: Call for All Disciplines

**RESIDENCY PROGRAMME 2024: Choreomania — Bodily Excess, Collective Unrest**

  
Through this open call, DOOR Foundation invites performers to delve into body politics, intersectional representation, and collective choreographies of unrest under the curatorial theme of ‘Choreomania — Bodily Excess, Collective Unrest’.

  
Over a span of a 2-month long residency, selected performers will embark on an artist development programme encompassing conceptual exploration, research, skill development, collaboration, and production of new artistic work.

Through group and individual workshops with academics, curators and artists, the participants merge theory with practice, culminating in substantive archival documentation made in collaboration with sound design and videography mentors - converging into the production of tangible artistic outputs.

  
Choreomania, deemed ‘the dancing plague’ by those in positions of medical-, religious-, and/or social power, describes instances of collective mass eruptions that occurred primarily between the 14th and 17th century. These ‘dance manias’ are conventionally portrayed as unregulated frenzied gatherings wherein people participated until complete exhaustion. 

Throughout this programme, we centre choreomania as a collective response to social crises that finds manifestation (with)in and through the body. In doing so, we question normative processes and relations of power that seek to regulate dissent and disruption by framing them as uncivil, diseased, or mad — positioning them as other.

By re-shifting the conceptual focus and seeing the underpinnings of choreomania as excessive and expressive bodies existing in opposition to hegemonic systems we aim at developing a critical curatorial strategy that intersects notions of queerness, alterity, (dis)order, excessiveness, disciplinarity and resistance wherein choreomania is not just integrated as theme but also as methodology.

**Funded: Mentorship, Stipend, Studio, Accommodation, Travel**

  
**Mentorship Programme:** Throughout the duration of the program, scholars, artist-researchers and the curatorial team lay the contextual groundwork for the creative explorations of residents through a series of talks about the curatorial theme of ‘Choreomania — Bodily Excess, Collective Unrest’. Weekly curatorial and production meetings refine conceptual frameworks, while one-on-one technical guidance ensures personalised support. Workshops with sound design and videography mentors add a practical dimension, fostering a dynamic learning environment. The mentors here become more than instructors, but in fact co-creators who will help the residents in the realisation of their visions through composing a sound score and capturing performances on video. Through group workshops, participants engage in shared learning experiences, whilst with individual workshops, the residents receive a focused space to address specific challenges and refine techniques. The program culminates in a focused filming week, converging theoretical insights and practical skills, marking weeks of exploration, experimentation, and artistic development.

  
**Stipend**: Each participant will receive a stipend amount of EUR 1500, in order to cover daily expenses and material costs.

  
**Studio**: The residency will take place at the Hembrugterrein, Zaandam, NL (Metropolitan Region Amsterdam). This historical, industrial site dates back to 1928 which, along with other properties on the premises, used to be a part of the ammunition production facility for the Dutch Ministry of Defense. Participants will be working in an open-plan layout where the shared studio spaces are housed within the characteristic industrial setting. The space allocated to each artist averages around 150m2.

  
**Accommodation**: Participants will be provided with accommodation within a short distance from the studio space. They will be able to build a close relationship with each other within this shared space, but also have the comfort of their private rooms. The accommodation includes a kitchen and all the other necessary facilities for the two-month residency period.

  
**Travel costs**: The travel cost for artists to come and leave the Netherlands will be fully covered.

DOOResidency | Choreomania: Bodily Excess, Collective Unrest

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