The Photography "Dimensions of the form" shows the creative activity through the shortcomings of modern technology. The photographs used a technique with panoramic mode, that cuts the body in the image, moving close to the camera straight on the horizon. The static elements located around and behind the image remain intact. The photo was created spontaneously on a concrete place in the town of Lom. The individual makes a performance that opposes the restrictions and frames - Climbing on a metal structure on the pier in the Danube. There is a huge sign on the pier: ”The boarding, swimming, and fishing on the pier is strictly prohibited ”
In some cases is worked with defects from a Windows 2005  computer in a basic photo processing program, also applying creative intentions, defecting rationally, and creating last-color pixel falling apart from the end of the photo.  Photographs and photo collages show one problem in society now - The destruction of identity to integrate an individual into a world where exist factors such as Drugs, indiscriminate sex, alcohol, and selfishness. Photography opposes the full destruction of the personality. The video material is made 2019 from destruction with defect of cinemagraph where there is no grid on the background and in this case the video is falling apart. 


Project by Svetli Evgeniev 

Dimension of the form - 2017

"The city" is a project that combines ceramics and large ink drawings.
Mixing materials leads to an optical illusion as they are one.
 Viewed from different angles, they complement and create new perspectives.
          The idea brings the city to different situations and lights.
A balance is sought between the lines on the drawings and the lines on the ceramics. The drawings show the interior of the city, rather the homes and the way of life of the people inside. The ceramics show sculpture, architecture and art in a public environment. A comparison between internal and external is sought.
         The drawings are made of different colours of ink, the lines are made through an experiment, which I called updating the ”Troyan pattern”, an old ceramic practice, the lines are not drawn with line.
For the plants on the drawings, a monotype with oil paint was used.
The Buddha's drawing shows the state of mind during the Covid19 epidemic.
 When humanity faces such a challenge, there are two ways to cope, one is to be like a Buddha.

The ceramics are made by modular assembly of fine ceramic mass, porcelain. A hand-made gypsum mold was used during the process. Even hollow on the inside, the artworks resemble a sculptural monument looking heavy and massive.
The stripes on the ceramics summarize the shape by passing from one surface to another. This creates the illusion that they are vibrating.


My personal sense of work is related to my love of ceramic techniques. I am always looking for new approaches in working with ceramics. The idea I bring to the fore is related to modern art. The constant work of artists, inspiration and materialism.Character in the work that remains in the background of the conceptual art, where artists seek problems and their solutions.

Svetli Evgeniev
Student Master degree at the “National Academy of Arts”
Bulgaria


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Svetli Evgeniev