My practice examines the relationships we create with the natural world, exploring cultural dialogues with the non-human, and attempting to collapse our socially constructed separate notions of human and animal. I am deeply influenced by Archaeology, Ecology and Comparative Religion, and draw from artworks and narratives from the ancient world, Palaeolithic and folk art, as well as the Baroque and Renaissance masters.
Recent works dwell on my own fractured relationship with the ecosystems around me. In the face of overwhelming climate collapse, ecocide and Climate Grief, I attempt to locate myself in a world that may quite literally fall apart within my own lifetime and increasingly makes little sense. 
In response, I craft my own religious/mythic landscape - incorporating plant, vegetal and fungal matter into sculptures, from which I draw. Whilst consciously appropriating the high visual language of Christian art, I allow purchase for the natural world to become collaborative in the process of the works; simple sculptures become looming idols, altarpieces of exploding vegetal figures or wounded palaeolithic bears which invoke the stigmata of Christ, questioning the validity of faith and our conceptualization of sacredness.
My practice searches for a way of living that might teach us how to reconnect with the natural world and to allow a sense of spiritual purchase and rootedness. It is a wish to transcend the silence of the nonhuman, to collapse distinctions between artistic and scientific endeavour, between mind and body, profane and sacred, human and animal, material and immaterial, known and unknown. 


Ascension / Arboralis Mundi 

Through this portrait, I was able to gather the fragments of myself and find the strength to move forward. It is a celebration of life, a mirror in which I can look and understand why I am here.

Eva's Evolutionary

Two girls having fun with a swing. It's Saturday. The blue color is part of the free feeling of the Saturday.

All of my artworks are inspired by weathered walls with posters, peeling paint and all kinds of things in dilapidation.

I try to create something new, something beautiful with these elements.

  
Size\*\*: 135 x 85 x 4.5 cm (unframed) / 135 x 85 cm (actual image size)\*\*

  
* Acrylic painting on canvas
* Ready to hang
* Signed on the back
* Theme: Graffiti / Textured / Cityscape / Urban /Modern / Colorful / Rough
* Colors: Light Blue, White, Turquoise, Grey, Black, Red
* Colors quality: Amsterdam colors, high luminosity, without fading, non-toxic
* Signed certificate of autenticity
* Made in 2021

SATURDAY SWING

Source material taken from a 1970s evangelical comic titled Adam & Eve. 

My Best Friend Is Steve

My Little Dark Age

Fiddle Leaf 2

StayHome

In the series Fältflora I – VI, detonated grenades are exposed in neat rows. Fate from the deep looks ahead through the booming sea of military munitions I have out in the field in my home region.

  
The boundaries between the past and existence are explored.

  
The work moves in the field of tension between attracting and repelling, the real and the fantastic and between the ordered and the disordered. The installation consists of sculptural elements and photography, where the darkness is the guide in the story, but the darkness never gets the last word. 

FIELDFLORA

Generative art that explores different forms of spatial dimensions. My concept was to focus on altering images generating suggestive, contiguous movement that starts from darkness. I made a series of images that combine my current interests and technical abilities, incorporating generative art and photography. The work aims to experiment through coded images that create pulsating structures mapped in non gravitational matter.

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