circusnext open call
For over 20 years, circusnext has been paving the way for circus emerging authors with original, unusual, and unseen writings. More than 100 companies have been identified and supported at a European level such as Un Loup pour l’homme, Cridacompany, Alexander Vantournhout, Familiar Faces, Julian Vogel, etc.
Currently, circusnext carries out its work in a European programme to identify and support emerging circus artists with 24 partner venues across Europe (festivals, creation and touring venues), based in 15 countries.
circusnext is a space for artistic risk-taking, research and experimentation. Any artist who wishes to develop a circus creation in progress can apply (only acts are not allowed). There is no defined type of circus creation to apply for, all creative contexts, all types of forms, formats, durations, aesthetics, universes, themes, audiences, all circus disciplines and all interdisciplinary endeavours between circus and other art forms are welcome.
Our aim is to identify and support the most innovative and bold emerging circus authors who wish to develop a circus project at European level, who dare to experiment and push boundaries.
We understand “author” as authorship, an artist who has authority over their work and is in the process of finding their "artistic signature", the ability to define their artistic position. Emergence is understood as a level of professional recognition and should not be confused with youth: there is no age limit for applicants.
To select the project, the juries will consider the following criteria:
Originality of the project: it could be a new approach to circus techniques, an original research process, the construction of an unseen artistic universe, etc.
Authorship: the ability to defend one's work and artistic choices, the ability to position oneself and one's work in the field of circus art, the need to create, etc.
Coherence and relevance: between one’s artistic intentions and the way the project is structured, thought, how the elements that compose it are arranged, etc.
Quality of the performance: quality of movement, rhythm, stage presence, i.e. the ability to make the intentions of the proposal tangible on stage, etc.