Soap Ground with Open Bite

Trash in the River

While there was a short phase with photogram and camera-less photography; the artist enjoyed the process of light refracting through a glass in order to create unique and nonsensical images.

Glass and an Ashtray

The plate and print filled with hammer marks and deep scratches from the rough concrete floor. 

Rough Cut Plate

The artist's first and last attempt at a landscape using woodblock printing.

Mountain Side from a House

11:23 P.M.

This triptych focuses on where the artist spends the majority of their time; the floor of the print studio. Something they walk over and move around in on a daily basis.

Print Studio Floor

Controlled chaos can be seen all over life and artwork; Stop Out is no different. Allowing whatever the mood controlled the brush strokes put in to the etching.

Stop Out

The artist decided while on a walk to make marks on a copper plate of the smallest tree on the block. While it was often ignored, they wanted to use it and preserve its current state by rubbing a copper plate on it.

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Llewyn Nezich

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