Some experiences of the artist are often reflected in his art. Especially the curfew during his childhood in Yugoslavia shaped by the Balkan war came to the forefront recently due to parallels to the current „quarantine-life” during COVID: the feeling of loss, confusion and uncertainty when confined to our trusted space. He is to convey a transcendent calm and order in these artworks. Something eternal amidst troubling times. Textures and forms of his childhood are a strong influence. Such as roughly woven linens of military tents, basic motifs of folk-art and the bold shapes of brutalist architecture in post-war Yugoslavia. OP-Art, with its repetition of geometric shapes is a salient inspiration. He uses strongly abstrahising forms and muted colours. Such austerity underlines the calm atmosphere of his works. Contrasts and clashes define his art. These works are digitally designed, yet he uses traditional printing techniques and materials. This duality emphasizes the tresholds of cyber-space and reality, of digital and human connections. Contrasts between light and dark, between contained forms and disruptive lines express calm and upset, freedom and confinement, life and death.
Words: Agnes Fazakas
Photo: Pinewood Lifestyle - Levente Kadar/Eniko Varai

MEMORA

RUR-SUS

CONTRARIORUM

Some experiences of the artist are often reflected in his art. Especially the curfew during his childhood in Yugoslavia shaped by the Balkan war came to the forefront recently due to parallels to the current „quarantine-life” during COVID: the feeling of loss, confusion and uncertainty when confined to our trusted space. He is to convey a transcendent calm and order in these artworks. Something eternal amidst troubling times. Textures and forms of his childhood are a strong influence. Such as roughly woven linens of military tents, basic motifs of folk-art and the bold shapes of brutalist architecture in post-war Yugoslavia. OP-Art, with its repetition of geometric shapes is a salient inspiration. He uses strongly abstrahising forms and muted colours. Such austerity underlines the calm atmosphere of his works. Contrasts and clashes define his art. These works are digitally designed, yet he uses traditional printing techniques and materials. This duality emphasizes the tresholds of cyber-space and reality, of digital and human connections. Contrasts between light and dark, between contained forms and disruptive lines express calm and upset, freedom and confinement, life and death.
Words: Agnes Fazakas

QUATTUOR No. I. ( Part of the AXIS Series 2020-2021 )

MONUMEN

SEXUM

Some experiences of the artist are often reflected in his art. Especially the curfew during his childhood in Yugoslavia shaped by the Balkan war came to the forefront recently due to parallels to the current „quarantine-life” during COVID: the feeling of loss, confusion and uncertainty when confined to our trusted space. He is to convey a transcendent calm and order in these artworks. Something eternal amidst troubling times. Textures and forms of his childhood are a strong influence. Such as roughly woven linens of military tents, basic motifs of folk-art and the bold shapes of brutalist architecture in post-war Yugoslavia. OP-Art, with its repetition of geometric shapes is a salient inspiration. He uses strongly abstrahising forms and muted colours. Such austerity underlines the calm atmosphere of his works. Contrasts and clashes define his art. These works are digitally designed, yet he uses traditional printing techniques and materials. This duality emphasizes the tresholds of cyber-space and reality, of digital and human connections. Contrasts between light and dark, between contained forms and disruptive lines express calm and upset, freedom and confinement, life and death.
Words: Agnes Fazakas
Photos: Pinewood Lifestyle - Levente Kadar/Eniko Varai

SANCTITAS II. ( Part of the SANCTITAS Series 1-2 )

Some experiences of the artist are often reflected in his art. Especially the curfew during his childhood in Yugoslavia shaped by the Balkan war came to the forefront recently due to parallels to the current „quarantine-life” during COVID: the feeling of loss, confusion and uncertainty when confined to our trusted space. He is to convey a transcendent calm and order in these artworks. Something eternal amidst troubling times. Textures and forms of his childhood are a strong influence. Such as roughly woven linens of military tents, basic motifs of folk-art and the bold shapes of brutalist architecture in post-war Yugoslavia. OP-Art, with its repetition of geometric shapes is a salient inspiration. He uses strongly abstrahising forms and muted colours. Such austerity underlines the calm atmosphere of his works. Contrasts and clashes define his art. These works are digitally designed, yet he uses traditional printing techniques and materials. This duality emphasizes the tresholds of cyber-space and reality, of digital and human connections. Contrasts between light and dark, between contained forms and disruptive lines express calm and upset, freedom and confinement, life and death.
Words: Agnes Fazakas
Photo: Nora Szilagyi

LUX ET UMBRA I/II (Diptichon)

Some experiences of the artist are often reflected in his art. Especially the curfew during his childhood in Yugoslavia shaped by the Balkan war came to the forefront recently due to parallels to the current „quarantine-life” during COVID: the feeling of loss, confusion and uncertainty when confined to our trusted space. He is to convey a transcendent calm and order in these artworks. Something eternal amidst troubling times. Textures and forms of his childhood are a strong influence. Such as roughly woven linens of military tents, basic motifs of folk-art and the bold shapes of brutalist architecture in post-war Yugoslavia. OP-Art, with its repetition of geometric shapes is a salient inspiration. He uses strongly abstrahising forms and muted colours. Such austerity underlines the calm atmosphere of his works.  Contrasts and clashes define his art. These works are digitally designed, yet he uses traditional printing techniques and materials. This duality emphasizes the tresholds of cyber-space and reality, of digital and human connections. Contrasts between light and dark, between contained forms and disruptive lines express calm and upset, freedom and confinement, life and death.
Words: Agnes Fazakas
Photo: Pinewood Lifestyle - Levente Kadar/Eniko Varai

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Istvan Dukai

MEMORA

RUR-SUS

CONTRARIORUM

QUATTUOR No. I. ( Part of the AXIS Series 2020-2021 )

MONUMEN

SEXUM

SANCTITAS II. ( Part of the SANCTITAS Series 1-2 )

LUX ET UMBRA I/II (Diptichon)

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