I was drawn by this little boy in a candid photo of an African dance class and decided to center him--detached from his context there's something so compelling about his focus, effort, and posture--he's looking forward, he's bending back, he's peaceful, he's completely engaged, he's at right angles, he's upright, he's bendy...who is he?

Bend

The morning light, and the colors of November, surprisingly vivid, when the sky is blue and the frost is on the ground.

Morning, November (Black Walnuts)

The time of day when even a parking building looks beautiful--it's Golden Hour. And it's endangered, too, just like all our beauty, by the plan some are working hard on at this very moment to shoot sulfur dioxide into the atmosphere, causing "global dimming" and just like that, saving us all from climate change. What could go wrong?

Golden Hour, Greenfield

The pinks of the nose, the sweatshirt, the ear were what grabbed me about this pose. 

Portrait with Hat

Schuyler sat and told me later he was thinking about the 40th college reunion he'd just attended. That must be where that expression came from. 

Schuyler

Painted _en plein air_ in my rural Western Mass town of Conway, in the part of town still called Pumpkin Hollow, for the pumpkins that used to be grown on the hills and that would (they say) roll down to gather in the valley below. Such a glowing day required the most vivid colors to try to translate nature's glory onto a little piece of paper. 

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Hannah Harvester

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