This artwork explores the idea of predation on a psychological and abstract level, rather than through literal animal metaphors. Figures dissolve, merge, and exist on an uncertain boundary, caught in an invisible flow of power dynamics.

  
The dominant upper figure looms with an unreadable gaze, while the chaotic, fragmented bodies below embody uncertainty, submission, or the struggle for survival.

  
This painting reflects a world where predators are not always beasts, and herbivores are not always victims. Power, manipulation, and the instinct to endure become fundamental aspects of human consciousness and social structures. 

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Carnivores and Herbivores 

In this new series, I delve into the fractured nature of existence—where identity, time, and space refuse to settle into fixed definitions. These works are an exploration of dislocation, both internal and external, a visual dialogue on the tension between belonging and estrangement.

  
Each piece captures the sensation of being suspended between worlds, where the body dissolves into its surroundings, yet remains restless, seeking form. The use of fluid lines and layered transparencies reflects the impermanence of self-perception, the constant shift between presence and absence, clarity and dissolution.

  
This series does not merely depict chaos—it embodies the fragility of stability, the ceaseless transformation of the human condition. It is about the ruptures in time and consciousness, where the mind and body struggle to synchronize with their surroundings, forever searching for a moment of alignment that never fully arrives.

  
Here, the boundaries between the organic and the psychological, the natural and the constructed, blur into an unresolved tension. The works pose a fundamental question: Can we ever truly inhabit a single moment, a single identity, a single place?

Displaced Realities

The artist seems to explore themes of transformation, chaos, and the primal aspects of existence. The central figure—a wolf-like form surrounded by fragmented, intertwined human figures—suggests a dialogue between the wild, untamed forces of nature and the complexities of human identity. This could symbolize a blurring of boundaries between humanity and instinct, perhaps even the struggle to reconcile our animalistic instincts with societal norms.

  
The chaotic, almost frenetic lines could reflect the tension between individuality and collectivity, or the idea of losing oneself within a group or larger force. The use of bold, earthy tones and abstract forms emphasizes raw emotion, inviting viewers to confront their inner conflicts, fears, or suppressed desires.

  
Ultimately, the painting feels like an exploration of metamorphosis—whether physical, emotional, or spiritual. The artist might be asking: What happens when we strip away the layers of civilization? What remains of our true essence? This piece is an invitation to reflect on these questions, allowing viewers to interpret it through their own personal lens.

Dance of the Wolves

In this series, I explore the fragile yet relentless tension between two opposing forces—predators and prey, dominance and submission, power and vulnerability. These works are not mere depictions of the natural order but a reflection of the structures that shape our existence—social, political, and existential.

  
Architecture, rigid and imposing, emerges as a silent force of control, while organic, fluid figures twist and dissolve beneath it, struggling for space, for breath, for survival. The contrast between these elements reveals the unspoken rules governing our world—the quiet violence embedded in civilization, the primal instincts buried beneath constructed realities.

  
The bodies in my paintings do not belong to individuals; they are specters of collective experience, echoes of submission and defiance. Boundaries blur—who hunts, and who is hunted? In a world designed for conquest, can the delicate survive?

  
This series is my response to a world where hierarchy dictates existence, where vulnerability is commodified, and where the battle between force and fragility is endless.

CARNIVORES AND HERBIVORES

"Limen" – A Latin word meaning "Threshold," symbolizing the boundary between the seen and unseen, nature and the subconscious, reality and illusion.

  
Philosophy & Concept Description: "Limen" explores the delicate line between perception and reality, where nature, memory, and human presence blend into a dreamlike continuum. The layered composition creates the feeling of looking through a veil, hinting at hidden stories and subconscious worlds.

  
The vertical elements evoke both tree trunks and barriers, blurring enclosure with freedom. Ethereal figures shift within light, suggesting themes of transience and interconnectedness. The outer frame emphasizes perception, reminding the viewer that what we see is often only a fragment of a deeper reality.

  

Limen

This series represents the roles and boundaries imposed by modern society that often hinder us from expressing our unique identities. The paintings depict dolls that, at first glance, appear to exist in a perfect and idealized environment—a "paradise," which, in reality, is merely a frame, a box. This paradise merges beauty with the confines of freedom.

However, the emotions of each doll, their shapes, and colors convey an inner struggle—a desire to see themselves as individuals and break free from the constraints. This series speaks not only about the world of model-like dolls but also about the human battle against predefined roles, stereotypes, and social boundaries.

"Dolls' Paradise" offers viewers not only a visual experience but also an invitation to reflect: What are our own "boxes," and how can we break out of them?

BARBIE-Dolls' Paradise

"The Bijouterie" by Gela Mikava delves into society's obsession with wealth and luxury through the representation of earrings and precious stones as prominent elements in the artwork. These symbols serve as visual metaphors for the desire for material possessions and the status they bring. By emphasizing the importance placed on external wealth and opulence, the series challenges viewers to question the underlying motivations and consequences of such pursuits.

  
The portrayal of earrings and precious stones in the artwork draws attention to the allure and glamour associated with these items. They symbolize the embodiment of wealth and luxury in society, often representing success, power, and social standing. However, beneath the surface allure, the series prompts viewers to consider whether material possessions truly hold the significance and fulfillment that they are often attributed.

  
By raising questions about the true value of material possessions, "The Bijouterie" series invites viewers to examine their own relationship with wealth and luxury. It encourages contemplation on the broader implications of a society consumed by materialism and the potential impact on individual well-being, personal relationships, and societal values.

  
Overall, the painting series "The Bijouterie" serves as a catalyst for introspection and critical reflection on materialism's pervasive influence in our lives. It seeks to provoke a reconsideration of our societal values, encouraging a shift towards a more balanced and meaningful existence beyond the superficial pursuit of wealth and luxury.

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