Enthralled by devising psuedo-realities; such as The Waiting Room, the allusion toward a ‘body’ or a environmental delusion of the non-specific threatens westernised diligence and adherence to ‘self’, and the ‘self’ whom performs toward a visualised eradication of actuality in favour of a materialistic interface and interspace that predicates the ‘body’ as a denier of itself-hood. 

The Waiting Room

Stimulated by paradoxical inclinations, the orchestrated hybridisation; derived from ‘self’ identification upon contemporary new flesh, evokes theoretical semblance toward the grotesque. Works such as A Cessation, A Monument or Armour vs Armor posits ‘other’ to inhabit the ambit between real(ity) and fantasy. Which upon connotations of ‘self’/’body’ evokes a dimensional metaphysicality that performs as a sepulchre for becoming, this faux-armour signifies terrestrial habits of clandestine ritualism does not elude the façade, nor the demise of such.

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Claud Rose