The work in question presents itself as an example of abstract art, characterized by a refined layering of textures and colors. The work seems to want to explore the concept of fragmentation and reconstruction, using a color palette that mixes warm and cold tones in a visual dance of great impact. The surface is worked with mixed techniques, which include the use of torn painted paper and bold brush strokes, giving the work a palpable materiality. 

  
The interaction between the irregular shapes and the color contrasts suggests a continuous movement, a dialogue between randomness and the artist's desire to govern the chaos. There is a sense of evolution in the composition: the work conveys the idea of something that transforms, that is consumed and renewed over time. The frame, sober and discreet, frames without imposing itself, leaving room for the visual content to emerge forcefully. Overall, the work stands out for its ability to evoke emotions and reflections, stimulating the viewer to read beyond the visible surface.

Senza Parole

The work presented is a visual journey through the stratification and interaction between form and color. The artist uses the collage technique to build a composition pulsating with energy, where the contrast between bright shades—vibrant orange and intense blue—is accompanied by the presence of more neutral shades that balance the dynamism of the whole. 

  
The fragmented elements and the apparently random arrangement of the shapes suggest a research on the deconstruction of the image, creating an effect of movement and tension. The overlapping of the materials is not only an aesthetic choice but also a conceptual one: each layer seems to tell its own narrative, a fragment of emotions and memories that merge in the construction of a new visual balance. 

  
The three-dimensionality conferred by the texture of the torn paper amplifies the perception of the work, making it not only an image to be observed, but a material to be explored with the gaze. The controlled chaos of the shapes becomes a dialogue between elements, a dance that moves between the instinctive gesture and the precise compositional will of the artist. Finally, the choice of an essential frame acts as an element of containment and contrast, allowing the viewer to fully immerse themselves in the vibrant synergy of the work. 

  
This creation, more than a simple representation, appears as a visual investigation into the fragmentation and recomposition of human experience—a story made of matter, color and artistic intuition.

Il cappellanus 

Fragilità Svelata 

The work presented challenges the two-dimensionality of the pictorial surface through a refined and evocative material stratification. The composition, apparently spontaneous, is the result of a careful dialogue between color, shape and texture, in which the artistic gesture manifests itself with overlapping paper and pigment that create depth and visual tension. 

  
The warm tones of red contrast harmoniously with the colder blue and beige fields, while black fragments introduce a graphic dynamism that guides the gaze through the work. Tears and overlaps generate a sense of movement and transformation, evoking the very process of artistic creation as an act of construction and deconstruction. 

  
The tactile quality of the surface invites the observer to explore the material details, offering an experience that goes beyond pure visual perception. The work is therefore configured as an abstract narration, a game of balance between chaos and order, between instinct and awareness, revealing an artistic universe rich in nuances and meanings.

Fragilità Svelata

The work is an intense expression of contemporary artistic research, a dialogue between tradition and innovation that manifests itself through the use of mixed techniques. The collage of worn poor papers and the tears of paper generated with artificial intelligence give the composition a unique material and narrative character. Each fragment inserted into the assembly brings with it a visual memory, creating a stratification of meanings that intertwine in a complex and fascinating plot.

  
It stands out for its vibrant aesthetic and for the play of material and chromatic contrasts: deep red, incisive black and earthy tones alternate, generating tension and harmony at the same time. The surface appears lived, as if it had absorbed the time and the stories that have passed through it. In this way, a visual palimpsest is built that invites the observer to explore, to question themselves, to let themselves be transported by the details and connections that emerge in the interaction between the different materials.

  
 The work is assembled with a double perspective: on the one hand, the tangible, manual intervention, which gives physicality and materiality to the composition; on the other, the aid of digital, which expands the expressive possibilities and enriches the creative process with new visual dynamics. The digital parts do not remain confined to immateriality, but materialize through printing and physical integration into the work, creating a bridge between the virtual and the real. They are fragments generated, transformed and then returned to the tangible dimension, where they mix and interact with the other material elements.

  
It therefore becomes a field of experimentation, a place where memory meets technology, the hand merges with the digital, destruction is transformed into new possibility. It is a testimony of how art can be the meeting point between the past and the future, between the human and the algorithm, between the tangible and the imagined.

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Chiara De Zan

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