**Kavanayén: Un trocito de mi árbol (Becoming Tangible)**

A tree was cut. It couldn’t defend itself. This is what’s left.

A fragment carrying the violence we choose not to see.

Not debris—something that still matters. Still here. Still asking to be seen.

Kavanayén. Un trocito de mi árbol. 

**Kavanayén: Light my journey (Zara and her mother in Noah’s Ark) (Becoming Tangible)**

A found lamp is not just an object—it is a small act of survival made visible.

Mother and daughter reach for each other without touching, holding distance, care, and longing at once.

Light becomes landscape: something that stays on, something that quietly shows the way home.

Kavanayén. Light my journey. (Zara y su mamá en el Arca de Noé). 

**Kavanayén: Árbol Caído (Becoming Tangible)**

A fallen tree is not just a form—it is the violence of tree cutting made visible.

  
Branches, collected from the streets of Mexico, return as fragments of what once lived.

  
Landscape becomes object: something you can stand before, something you can feel.

 Kavanayén. Arbol caído.

**Kavanayén: Becoming Tangible**

Kavanayén expands beyond the pictorial surface, allowing landscape to take on physical presence.

Painted gestures migrate into objects that occupy space, activating a sensory encounter with memory and displacement.

Through this material shift, the imagined territory becomes something felt, inhabited, and real.

Kavanayén 07. Ponme tu flor. Río Orinoco.

**Kavanayén: Becoming Visible**

A recent shift in scale brings the figures into a more conscious spatial presence.

Previously distant and partially concealed, these beings now emerge as sites of perception and encounter.

The landscape becomes a shared field where sense of self, memory, and belonging are continuously negotiated.

Kavanayén 07. Dreaming of our home. Río Orinoco. 

Kavanayén 07. Zara y sus peces Yin y Yang. Río Orinoco.

Kavanayén 07. Zara y su manada. Río Orinoco. 

Kavanayén 07. Zara en su cascada. Río Orinoco. 

Kavanayén 07. Zara con la corriente. Río Orinoco. 

Kavanayén 01. Zara bajo el árbol de parchita. Río Orinoco.

Kavanayén 07. Mis ranchitos. Río Orinoco. 

Kavanayén 07. Uma y su manada. Río Orinoco.

Kavanayén 07. Together under the sea. Río Orinoco.

Kavanayén 07. La rosa azul. Río Orinoco. 

Kavanayén 07. La manada. Río Orinoco.

Kavanayén: Becoming Visible

A recent shift in scale brings the figures into a more conscious spatial presence.

Previously distant and partially concealed, these beings now emerge as sites of perception and encounter.

The landscape becomes a shared field where sense of self, memory, and belonging are continuously negotiated.

Kavanayén 07. Happy together. Río Orinoco. 

Kavanayén 07. Together looking for home. Río Orinoco.

Kavanayén 07. Caracas. Río Orinoco.

Kavanayén 07. Pensando en mi prado home. Río Orinoco.

Kavanayén 07. Japanese hotel balcony. Río Orinoco. 

**Kavanayén**

Kavanayén explores landscape as an emotional territory shaped by memory and intuition.

Small figures move quietly through expansive natural environments, often at a distance.

These contemplative scenes reflect displacement, healing, and the gradual search for belonging.

Kavanayén 07. Imaginary home. Río Orinoco.

**Kavanayén: States of Displacement**

Kavanayén emerges from displacement and a quiet search for home, shaped by memory rather than fixed geography.

A luminous palette creates atmospheres of stillness, intimacy, and emotional depth.

Each small landscape unfolds as an inner terrain of longing and belonging.

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Charlotte Sapene

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