This clay vase is hand sculpted and glazed with my signature aura glaze. The aura glaze is a glossy rose gold color. This vase is part of my New Growth Collection. The following is my artist statement. 

 Moss, lichen, and fungi are the first things to appear after a forest fire when the landscape is unrecognizable from what we previously knew it to be. I am fascinated by the importance of these first signs of life: of their intricate detail that can only be seen when viewed closely; and of their resilience and necessary foundation in our natural world. As we emerge from what we have collectively been through, this collection mirrors that new growth. The world’s global landscape is forever changed and we now have the opportunity to choose our foundational new growth in more inclusive and expansive ways than before. We have opportunities to prioritize our truths in ways that weren’t visible to us without looking closely: to see the interconnectedness of our humanity; how much our quality of life reflects the individual choices we make each day; and to find true resonance with our purpose in this beautiful moment of now. Our lives may not grow back the same way, our lives may not look the same, but our perception has forever changed as we begin to see our world from a place of alignment. The unique details of this artwork are tiny worlds I have created to discover our connection to our natural world, each other, and our higher selves. Each piece in this collection is one of a kind and hand sculpted in my studio in Brooklyn, New York.  

Cosmic Mycology

This clay vase is hand sculpted and glazed with my signature halcyon glaze. The halcyon glaze is a rich, glossy gold color. This vase is part of my New Growth Collection. The following is my artist statement about the collection.

Moss, lichen, and fungi are the first things to appear after a forest fire when the landscape is unrecognizable from what we previously knew it to be. I am fascinated by the importance of these first signs of life: of their intricate detail that can only be seen when viewed closely; and of their resilience and necessary foundation in our natural world. As we emerge from what we have collectively been through, this collection mirrors that new growth. The world’s global landscape is forever changed and we now have the opportunity to choose our foundational new growth in more inclusive and expansive ways than before. We have opportunities to prioritize our truths in ways that weren’t visible to us without looking closely: to see the interconnectedness of our humanity; how much our quality of life reflects the individual choices we make each day; and to find true resonance with our purpose in this beautiful moment of now. Our lives may not grow back the same way, our lives may not look the same, but our perception has forever changed as we begin to see our world from a place of alignment. The unique details of this artwork are tiny worlds I have created to discover our connection to our natural world, each other, and our higher selves. Each piece in this collection is one of a kind and hand sculpted in my studio in Brooklyn, New York.

Auric Geomorphology

This clay wall hanging is hand sculpted and glazed with my signature halcyon glaze. The halcyon glaze is a rich, glossy gold color. This wall hanging is part of my New Growth Collection. The following is my artist statement. 

 Moss, lichen, and fungi are the first things to appear after a forest fire when the landscape is unrecognizable from what we previously knew it to be. I am fascinated by the importance of these first signs of life: of their intricate detail that can only be seen when viewed closely; and of their resilience and necessary foundation in our natural world. As we emerge from what we have collectively been through, this collection mirrors that new growth. The world’s global landscape is forever changed and we now have the opportunity to choose our foundational new growth in more inclusive and expansive ways than before. We have opportunities to prioritize our truths in ways that weren’t visible to us without looking closely: to see the interconnectedness of our humanity; how much our quality of life reflects the individual choices we make each day; and to find true resonance with our purpose in this beautiful moment of now. Our lives may not grow back the same way, our lives may not look the same, but our perception has forever changed as we begin to see our world from a place of alignment. The unique details of this artwork are tiny worlds I have created to discover our connection to our natural world, each other, and our higher selves. Each piece in this collection is one of a kind and hand sculpted in my studio in Brooklyn, New York.

Golden Mycelium

This clay vase is hand sculpted and glazed with my signature luna glaze. The luna glaze is a pearlescent white color. This vase is part of my New Growth Collection. The following is my artist statement. 

 Moss, lichen, and fungi are the first things to appear after a forest fire when the landscape is unrecognizable from what we previously knew it to be. I am fascinated by the importance of these first signs of life: of their intricate detail that can only be seen when viewed closely; and of their resilience and necessary foundation in our natural world. As we emerge from what we have collectively been through, this collection mirrors that new growth. The world’s global landscape is forever changed and we now have the opportunity to choose our foundational new growth in more inclusive and expansive ways than before. We have opportunities to prioritize our truths in ways that weren’t visible to us without looking closely: to see the interconnectedness of our humanity; how much our quality of life reflects the individual choices we make each day; and to find true resonance with our purpose in this beautiful moment of now. Our lives may not grow back the same way, our lives may not look the same, but our perception has forever changed as we begin to see our world from a place of alignment. The unique details of this artwork are tiny worlds I have created to discover our connection to our natural world, each other, and our higher selves. Each piece in this collection is one of a kind and hand sculpted in my studio in Brooklyn, New York.

Incandescent Psilocybin

This clay vase is hand sculpted and glazed with my signature luna glaze. The luna glaze is a pearlescent white color. This vase is part of my New Growth Collection. The following is my artist statement. 

 Moss, lichen, and fungi are the first things to appear after a forest fire when the landscape is unrecognizable from what we previously knew it to be. I am fascinated by the importance of these first signs of life: of their intricate detail that can only be seen when viewed closely; and of their resilience and necessary foundation in our natural world. As we emerge from what we have collectively been through, this collection mirrors that new growth. The world’s global landscape is forever changed and we now have the opportunity to choose our foundational new growth in more inclusive and expansive ways than before. We have opportunities to prioritize our truths in ways that weren’t visible to us without looking closely: to see the interconnectedness of our humanity; how much our quality of life reflects the individual choices we make each day; and to find true resonance with our purpose in this beautiful moment of now. Our lives may not grow back the same way, our lives may not look the same, but our perception has forever changed as we begin to see our world from a place of alignment. The unique details of this artwork are tiny worlds I have created to discover our connection to our natural world, each other, and our higher selves. Each piece in this collection is one of a kind and hand sculpted in my studio in Brooklyn, New York. 

Intercellular Opulence

This clay vase is hand sculpted and glazed with my signature halcyon glaze. The halcyon glaze is a rich, glossy gold color. This vase is part of my New Growth Collection. The following is my artist statement about the collection. 

 Moss, lichen, and fungi are the first things to appear after a forest fire when the landscape is unrecognizable from what we previously knew it to be. I am fascinated by the importance of these first signs of life: of their intricate detail that can only be seen when viewed closely; and of their resilience and necessary foundation in our natural world. As we emerge from what we have collectively been through, this collection mirrors that new growth. The world’s global landscape is forever changed and we now have the opportunity to choose our foundational new growth in more inclusive and expansive ways than before. We have opportunities to prioritize our truths in ways that weren’t visible to us without looking closely: to see the interconnectedness of our humanity; how much our quality of life reflects the individual choices we make each day; and to find true resonance with our purpose in this beautiful moment of now. Our lives may not grow back the same way, our lives may not look the same, but our perception has forever changed as we begin to see our world from a place of alignment. The unique details of this artwork are tiny worlds I have created to discover our connection to our natural world, each other, and our higher selves. Each piece in this collection is one of a kind and hand sculpted in my studio in Brooklyn, New York. 

Ornamented Archegonium

This clay vase is hand sculpted and glazed with my signature mercury glaze. The mercury glaze is a metallic black/deep charcoal color. This vase is part of my New Growth Collection. The following is my artist statement.  

Moss, lichen, and fungi are the first things to appear after a forest fire when the landscape is unrecognizable from what we previously knew it to be. I am fascinated by the importance of these first signs of life: of their intricate detail that can only be seen when viewed closely; and of their resilience and necessary foundation in our natural world. As we emerge from what we have collectively been through, this collection mirrors that new growth. The world’s global landscape is forever changed and we now have the opportunity to choose our foundational new growth in more inclusive and expansive ways than before. We have opportunities to prioritize our truths in ways that weren’t visible to us without looking closely: to see the interconnectedness of our humanity; how much our quality of life reflects the individual choices we make each day; and to find true resonance with our purpose in this beautiful moment of now. Our lives may not grow back the same way, our lives may not look the same, but our perception has forever changed as we begin to see our world from a place of alignment. The unique details of this artwork are tiny worlds I have created to discover our connection to our natural world, each other, and our higher selves. Each piece in this collection is one of a kind and hand sculpted in my studio in Brooklyn, New York. 

Phylogenetic Stealth

This clay wall hanging is hand sculpted and glazed with my signature aura glaze. The aura glaze is a glossy rose gold color. his wall hanging is part of my New Growth Collection. The following is my artist statement about the collection. 

Moss, lichen, and fungi are the first things to appear after a forest fire when the landscape is unrecognizable from what we previously knew it to be. I am fascinated by the importance of these first signs of life: of their intricate detail that can only be seen when viewed closely; and of their resilience and necessary foundation in our natural world. As we emerge from what we have collectively been through, this collection mirrors that new growth. The world’s global landscape is forever changed and we now have the opportunity to choose our foundational new growth in more inclusive and expansive ways than before. We have opportunities to prioritize our truths in ways that weren’t visible to us without looking closely: to see the interconnectedness of our humanity; how much our quality of life reflects the individual choices we make each day; and to find true resonance with our purpose in this beautiful moment of now. Our lives may not grow back the same way, our lives may not look the same, but our perception has forever changed as we begin to see our world from a place of alignment. The unique details of this artwork are tiny worlds I have created to discover our connection to our natural world, each other, and our higher selves. Each piece in this collection is one of a kind and hand sculpted in my studio in Brooklyn, New York. 

Prismatic Pteridophytes

This clay vase is hand sculpted and glazed with my signature galactic glaze. The galactic glaze is a deep silver color. This vase is part of the New Growth Collection.  

The following is my artist statement about the collection. Moss, lichen, and fungi are the first things to appear after a forest fire when the landscape is unrecognizable from what we previously knew it to be. I am fascinated by the importance of these first signs of life: of their intricate detail that can only be seen when viewed closely; and of their resilience and necessary foundation in our natural world. As we emerge from what we have collectively been through, this collection mirrors that new growth. The world’s global landscape is forever changed and we now have the opportunity to choose our foundational new growth in more inclusive and expansive ways than before. We have opportunities to prioritize our truths in ways that weren’t visible to us without looking closely: to see the interconnectedness of our humanity; how much our quality of life reflects the individual choices we make each day; and to find true resonance with our purpose in this beautiful moment of now. Our lives may not grow back the same way, our lives may not look the same, but our perception has forever changed as we begin to see our world from a place of alignment. The unique details of this artwork are tiny worlds I have created to discover our connection to our natural world, each other, and our higher selves. Each piece in this collection is one of a kind and hand sculpted in my studio in Brooklyn, New York. 

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Audrey Zahraa Franklin

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