Rennt I, II & III are set within Berlin’s transport system. This triptych captures fragments of an imagined escape—two women, friends and co-workers, caught in a moment of urgency, resistance, and care. Rennt (Run) evokes both motion and necessity, but also alludes to rent: the cost of survival, the price of visibility. The series gestures toward the shared realities of sex workers—the danger, the joy, the solidarity—without revealing it all. Between flight and stillness, humor and tension, these works invite viewers to find their own path through the story.

Rennt II

Sign I conveys the Berlin subway exit sign hijacked by a fleeing sex worker, reshaping this public symbol into a private, provocative escape route.

Sign I

Rennt III

Rennt I

Bitch, We Are Walking! is a mixed media painting where a mechanical failure becomes a power play tension between control and rebellion plays out underground in full attitude.

Bitch, We Are Walking!

No Ticket, No Ride is a playful twist on fare evasion in Berlin’s trains where not paying the ticket leads to more than just a fine, and humor meets public discipline with erotic undertones.

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Antonella Nicoli

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