The Bahnhofsviertel, which translates to “train station quarter” in Frankfurt, Germany, captivated my senses. Renowned as the red light district, it is peppered with quintessential visuals of "sex hotels." Amongst the neon glow, the "Bistro My Way" sign seized my attention and inspired the foundation of this painting. In this piece, a blender, a fish, and various other components hover, their significance open to interpretation by the observer. This artwork continues my exploration of collage, a juxtaposition of functional and non-functional elements, drawing from pop art traditions to unveil a world awash with dysfunction.

Bistro My Way

  
This artwork serves as a commentary on commercialism, crony capitalism, and the fragmented nature of our world. It marks the beginning of a series inspired by my travels in Japan. As a graphic artist and video editor, I was captivated by the chaotic yet intriguing immersion of wild signage, despite its unsettling disarray.

Winter Big Sale

In 'The Sensitivity of Man,' a captivating collage oil painting from 2003, I explore the profound depth of human sensitivity. This artwork delves into the intricate layers of our emotional landscapes, where we find ourselves easily irritable, frequently emotional, impulsive, somber, and occasionally furious. This wide spectrum of human emotions represents the essence of the human experience itself. Emotions define our existence, and without them, life would be akin to an empty canvas, devoid of meaning. 'The Sensitivity of Man' invites viewers to contemplate the intricate web of human sensitivity, recognizing that our emotions, for better or worse, shape the rich tapestry of our lives.

The Sensitivity of Man

In 'Dimensions: Windows of the Mind' series, we delve into the captivating world of theoretical physics, exploring dimensions beyond the familiar three. From Einstein's fourth dimension to the complexities of string theory, we contemplate the boundless expanse of existence. Amidst the challenges of 2020, we turned inward, exploring the depths of consciousness. Through collage, we open windows to the intricate realms within, inviting viewers to journey through the layers of perception and reality.

Dimensions Nr. 5

Dimensions Nr. 1

Dimensions Nr. 2

Dimension Nr. 3

Dimensions Nr. 4

This painting is a visual critique of the Supreme Court ruling that equates unlimited campaign donations to lawmakers with "free speech." I contest this view, arguing that monetary gifts are not akin to the freedom of expression but are tantamount to corruption. To me, this ruling symbolizes a progressive betrayal of American values, where politicians and judges further entrench corporate influence over the government in exchange for what are essentially camouflaged bribes. Additionally, I stand by the belief that corporations, despite legal definitions, should not be considered individuals.

I Pledge Allegiance to Capitalism

This artwork draws inspiration from Frankfurt's bustling 'Bahnhofsviertel,' a realm of American fast food, rapid trains, and frenetic activity. Situated next to the Red-Light District, it exudes a sense of instant availability and affordability. The collage-style, featuring contrasting elements, reflects an ongoing theme in my art and video work, unveiling a world marked by dysfunction.

  

Hauptbahnhof 

In 'Raincoat on a Sunny Day,' playfully captures a moment of unexpected irony. A woman, donned in a raincoat, merrily pushes her bike under the radiant sun. It's a delightful exploration of the unpredictability of life's small surprises.

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Anthony Siarkiewicz

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