In many cases, A4 copy paper finishes its role when the information has been told. A4 papers are folded and bent, then carried and moved to trash. The main role of folding includes making size down, and settle the information. The process of folding is the ritual to go through the end of the role. In the series of FOLDS, it generates new information – meaning and interpretation – by using the process.

“Unnatural in natural, natural in unnatural.” 
FOLDS brings subtle incongruous feelings to our normal perspective by folding daily landscapes only a little.

FOLDS #5

FOLDS #2

In many cases, A4 copy paper finishes its role when the information has been told. A4 papers are folded and bent, then carried and moved to trash. The main role of folding includes making size down, and settle the information. The process of folding is the ritual to go through the end of the role. In the series of FOLDS, it generates new information – meaning and interpretation – by using the process.

“Unnatural in natural, natural in unnatural.” 
FOLDS brings subtle incongruous feelings to our normal perspective by folding daily landscapes only a little.


FOLDS #1

Colours contain a lot of information and play an important role in our everyday decision-making. In series of BLANK, a part of the photograph is cut out and replaced by a lightbox which constantly changes colour. ​It keeps asking​ viewers​ ​to interpret the meaning of the information in front​ of them​. As everyone is forced to change their way of life, BLANK invites the viewer to take a fresh look at their own perspective​.​

BLANK #2

BLANK #1

The series of “lines” explores the composition of organic and artificial lines in the square frame, invokes the circumstances we have to face. The fact in the square frame exists only at that time. lines consists of many kinds of lines that are well balanced together, geometric questioning, saturate lines by a combination of multiple lines or making one form together with.

lines #L was honourably mentioned at Art of Photography exhibition by PH21 gallery, Budapest.
The series of lines was awarded Photography Award 2020 March selection by the Wall Gallery, Venice.

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lines #L,N,E,S,V,K,P
2018-2019
61 x 61 cm
Fine art print on Aluminium

lines

Lemon I, II, III, IV is a performance sculpture work, consist of lemons - fresh and/or crafted, a photo of lemon, and a video of lemon.

There are two pedestals for physical lemons. The lemons on the pedestal are randomly switched with a crafted lemon, decayed or moldy lemon during the exhibition.

It is not easy to define a thing with the information provided in the overflowing information society. The lemon you are facing is a lemon, but the crafted lemon, photographed lemon and filmed lemon are also lemons, or not.

Visual information makes you confuse.

What is the lemon?

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Lemon I, II, III, IV
2021
Multiple sizes ( 6×10 cm, 6×10 cm, 41×58 cm, 36×61 cm )
Fresh lemon, Crafted lemon, Framed photograph, Digital screen

Sculpture contribution : Nihonbijutsu
Photo : Atsushi Yukutake

Lemon I,II,III,IV

In Framework, viewers overlook the particular cutout photograph through the empty white frame. It is not completed yet with these two elements. The installation changes their background depending on the location and position at the site. It forms a conflict structure between an object and a unique background. Framework gets closer to completion by forming each conflict structure with the object, frame, background and space. However, the relations of conflict structures are continuously being destructed by the viewpoint and the surrounding environment. The background turns into artwork. Inside turns outside. And vice versa.

The installation keeps asking viewers their perception on account of produce a dynamic transition of perspective although it’s a very calm object.

The planet and society in which we currently live have faced the phase of shifting the way of living. Framework generates a different point of view by continuously destructing their usual sight and perspective. It cannot look at something in a new direction while we see normal as normal. Framework is the invitation of a trigger to question your everyday life.

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Framework #4
2020
150x 150x 200 cm
Certified Art Giclée on Fine Art Baryta, Wooden frame

Framework #4

In Framework, viewers overlook the particular cutout photograph through the empty white frame. It is not completed yet with these two elements. The installation changes their background depending on the location and position at the site. It forms a conflict structure between an object and a unique background. Framework gets closer to completion by forming each conflict structure with the object, frame, background and space. However, the relations of conflict structures are continuously being destructed by the viewpoint and the surrounding environment. The background turns into artwork. Inside turns outside. And vice versa.

The installation keeps asking viewers their perception on account of produce a dynamic transition of perspective although it’s a very calm object.

The planet and society in which we currently live have faced the phase of shifting the way of living. Framework generates a different point of view by continuously destructing their usual sight and perspective. It cannot look at something in a new direction while we see normal as normal. Framework is the invitation of a trigger to question your everyday life.

–––––––––––––

Framework #3
2020
150x 150x 200 cm
Certified Art Giclée on Fine Art Baryta, Wooden frame

Framework #3

In Framework, viewers overlook the particular cutout photograph through the empty white frame. It is not completed yet with these two elements. The installation changes their background depending on the location and position at the site. It forms a conflict structure between an object and a unique background. Framework gets closer to completion by forming each conflict structure with the object, frame, background and space. However, the relations of conflict structures are continuously being destructed by the viewpoint and the surrounding environment. The background turns into artwork. Inside turns outside. And vice versa.

The installation keeps asking viewers their perception on account of produce a dynamic transition of perspective although it’s a very calm object.

The planet and society in which we currently live have faced the phase of shifting the way of living. Framework generates a different point of view by continuously destructing their usual sight and perspective. It cannot look at something in a new direction while we see normal as normal. Framework is the invitation of a trigger to question your everyday life.

–––––––––––––

Framework #2
2020
150x 150x 200 cm
Certified Art Giclée on Fine Art Baryta, Wooden frame

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Akihiro Boujoh