Glacial Echo

Portal of Reverie

Love Fracture

Threshold of Silence

Nerve

Whispered Passage

**God, that laughs at me,**

**God, that punishes me,**

**God, that tests me,**

**God, that compels me and restricts my freedom,**

**God, that kills,**

**God, that breaks the regularity (names the man in the woman's body or the opposite),**

**God , that threatens me with the end of the world and so on.**

**Who created him and where did he come from in general?** 

**In this artwork I have used Adolf Adler's words with the help of Morse Code Alphabet:**

**FOLLOW YOUR HEART, BUT TAKE YOUR BRAIN WITH YOU.**

**Ask questions and try not to leave any of them answerless.** 

  
**"DONT LOOK FOR WHERE'S NOTHING, LOOK FOR WHERE'S EVERYTHING"**

**Zurab Kartveli**

Holy Shit

**Fear has worse smell, than the corpse. Here the sun never rises and probably will never rise either. Here words are priceless:** 

**Hope, faith, path, trust, longing, life(especially if you surrender it for someone else), fight, mind without emotions,**

**Here only grass knows, their full story, here only ground hugged 206 unit bones + 206 + 206...**

**"Only here they know , that war isn't the worst, but the subjects participating in it"**

**The quote on the wires is presented in the Morse Code alphabet.** 

**"God in the loge, me on the stage, it is equally difficult for him to love and think soberly, life is an axiom, not a theorem"**

**Zurab Kartveli**
  
  

Dot on the third page

**Protest to everyone and everything! I am not the saint either!**

**"If you wish to see the both sides of the coin, there's no big pressure required, only small amount of mindfulness"**

**Zurab Kartveli** 

Chef's gospel, bullet with powder

**the inspiration of this drawing is Shakespeare's sixty sixth sonnet and his sexual code, which I have drawn with the help of colors and the Morse Code, where:**

**White- Space**

**Blue- Dot**

**Yellow- Dash**

**Brown- pause**

  
**Tired with all these, for restful death I cry,**

**As, to behold desert a beggar born,**

**And needy nothing trimm' d in jollity,**

**And purest faith unhappily forsworn,**

**And guided honour shamefully misplaced,**

**And maiden virtue rudely strumpeted,**

**And right perfection wrongfully disgraced,**

**And strength by limping sway disabled,**

**And art made tongue-tied by authority,**

**And folly doctor-like controlling skill,**

**And simple truth miscall'd simplicity,**

**And captive good attending captain ill:**

**Tired with all these, from these would I be gone,**

**Save that, to die, I leave my love alone.**

  
**William Shakespeare**

Sixty Six

**This work's main point is that my alter ego fights against the world with indecent methods. Only one gesture that says everything. Colorful figures mark angels with different characters and different natures. There is written "FUCK ALL THOSE PERFECT PEOPLE!" with the Morse Code Alphabet, in which circle - is a dot and square - is an underscore. Ladder is hierarchy.**

My Demon

**If you want to discover the world's secret, then you must understand its pain. John Coltrane was able to do this, and he used it in his work. With his work I presented his life's one "minute", with his feelings. In the drawing there is used his famous quote:**

**ONE POSITIVE THOUGHT PRODUCES MILLIONS OF POSITIVE VIBRATIONS**

**John Coltrane**

**Which I have written with my interpretation of Samuel Morse's (Samuel Finley Breese Morse) alphabet where:**

**White - space**

**Blue- dot**

**Red - dash line**

**Green - pause**

John Coltrane

Master of Disaster (Rust unto Gold), 2024

Catherine's World (Rust unto Gold), 2024

After Mexican (Rust unto Gold), 2024

mountainous landscape with train and bathers

Up to the River (Rust unto Gold), 2025

The Tyranny of the Moment (Rust unto Gold), 2025

memoir

impressions

antihero

Torso #200912/II


Moments before finally emerging from the ocean, the goddess arises from the depths of her fears as a scarlet full moon rises to the peak of her moment of epiphany.
The goddess has been in cold and inhospitable hell, frozen, crouched, dead. Speechless. Without memory. Aimlessly. She was sink as a flotsam at the bottom of an ocean of uncertainties, unable to speak. She saw herself dying.

But the moon bleeds to collect the Goddess´s power and bring her back to life, and she breaks down, and she composes herself again. And she opens her eyes to a new destiny that will be marked only by the impulses of her most inner and lonely desires.

Now that I am real. She thinks.

Resurgence

An angel wonders, a question is drawn.
Am I my Art? 
A word is formed.
The meaning of the question is changed.
Am I (prostituting) my Art?


The artist's art is not enough. Nowadays with tools as 
powerful as social networks, art spreads like wildfire. 
It reaches remote places on the planet and our audience 
is more global than ever. 
However, art is not enough. The talent of the artist is 
not enough. The artist must also expose itself, the 
audience demands it. Audience hungry for meat. Where does
the art begin and where does the artist end?

This performance is not only a reflection about the 
exposure of the artist's figure on social networks, 
her trivialization or the need to transcend his work, 
but it is also a journey that culminates in the 
satisfaction of being in the desired place, of finding 
herself, of knowing herself real, of knowing that this 
is the way and not others. It is a reunion with the lost
and recovered identity, an ode to self-knowledge after a
journey through a personal deconstruction that has given 
rise to my most mature, intimate and evolved work so far.

Now that I am Real

A Goddess emerging from the death and through the bottom of the sea, fighting for her life and future, to look at it stronger, wiser, and bigger than ever. With magnifiency, with pride, with strengh, but compassion and the beauty of the sound of thousand friendly armies of insects approaching synchronized the center of the scene singing choruses.

Keep Us Wild

Shopping joy

Seize Beauty 2020 
Painting, Sculpture, Installation

Seize Beauty is a painting that becomes a sculpture which entwines with the environment it is placed in. It is inspired by the beauty of the Australian bushland, specifically in the Sunshine Coast region of Queensland, Australia. The movement of the paint, the shadows and the reflected light on the recycled glass, attempt to mimic natural ecosystems like the bush. In the bush we see a cyclical systems of death and rebirth, there’s no end or start, it’s constantly evolving. In the painting, we see the same, through the colours and the flow that they create. The bold fluorescent colours are accompanied by darker earthier tones, giving layer, abundance and texture to the painting. When the painting is strung up, high within the natural environment the beauty of the landscape is magnified. The vivid colours alert and create intrigue, inviting hikers in, to take a closer look. When viewers begin to engage with the work, they start to acknowledge and pay close/closer attention to the environment they are in. This activates connection, reflection and awareness about their immediate natural environment. Therefore, probing questions on how they care for the natural world and the environment they live in. In a time of climatic changes, living more sustainably, responsibly and consciously is crucial. If we begin to connect to our external natural environments, we can begin to take full responsibility and care for them. Seize Beauty acts as an embodiment of the idea of the natural landscape and the obligatory need to respect, nurture and care for it. 

Seize Beauty 2020

The Ocean Diaries: a year-long collaborative correspondence project begun in January, 2020. 

The Ocean Diaries is a collaboration between Joyce Majiski, a Canadian artist and Zea Morvitz, an American artist. Both artists have registered with ArtConnect individually. 

For this collaborative project each artist creates a monthly diary page of a pre-agreed upon size and mails it to the other. Each diary page is a mixed media artwork on a sheet folded in thirds for 6 panels (3 on each side) with some space for the other artist's work. The page is mailed to the other artist who will add artwork and commentary, so that each page contains work by both artists. At the end of this year the pages will be hand bound into a book.

Because the pages are mailed back and forth for completion, the final book will be the record of a year-long correspondence between the artists. Correspondence also means compatibility and agreement in ideas. Both artists are committed environmentalists and both feel a connection with the world's oceans.  Joyce is currently engaged in building a to-scale juvenile humpback whale out of ocean salvaged styrofoam which brought her to southern British Columbia for 9 months. It is the longest stretch she has ever lived by the ocean. Zea lives on the California coast, and has a lifetime relationship with the ocean, so the two artists decided to use the theme of All things Ocean for their 2020 Correspondence/Exchange. 

Zea Morvitz and Joyce Majiski have conducted a vibrant artistic correspondence since 2010.  During this first year, they sent a handmade postcard to one another every Friday. It was such an enriching project on so many levels that the two artists made a commitment to one another to continue this weekly practice, despite the other personal projects they were engaged in. Each year they agree on a theme and a format, (including postcards, book pages, a collaborative scroll and accordion books) and give one another total liberty with the media used. The works are a rich mixture: layers of visual media combined with scribblings about art projects, the environment, personal musings and philosophical thoughts on being.  The unique thing about their collaborative exchanges is that they leave space for one another to contribute on each page. The exchange is truly a shared experience. Over time they have integrated each other's imagery quite seamlessly and often mimic one another for fun. 

In summer, 2019, the two artists exhibited their correspondence and collaborative artwork at Sometimes Books, a gallery that recently closed. A visual record of the exhibition can be found at https://www.tumblr.com/blog/art-stay-in-touch.


Ocean Diaries / Correspondence Project

A series of drawings that begin with graphite frottage on paper placed on a rough stone surface. The action of frottage produces a field of random marks on the paper. I build up drawings line by line over and into the field of marks. Its a way of allowing the processes of the natural world into my artwork.

Add

Zea Morvitz

Opportunities

For Artists

ArtConnect

Support