In this project I created disposable hand-made images in the darkroom. I developed the films and "painted" the photo on the print paper with the chemicals and brush. I wanted to create images that present still life as they present themselves inanimate objects on the one hand and changes objects on the other hand.

LIVING ABSTRACTS

I am exploring the physical nature and resilience of objects. I am discussing ephemeral versus eternal, genuine versus synthetic. In my work there are specific reference to objects that try to simulate beauty and organic nature (such as in the synthetic flowers I am working
with). Juxtaposed  against these are the deformed objects (as the human hands) to which I am giving a sculptural aesthetics by the photographic perspective that I am project on them. In my work, one can see over and over again, the references to beauty, materiality, aesthetics and decay which are shown as background to the death anxiety that occupies me as part of my personal and family biography.

I am exploring the physical nature and resilience of objects. I am discussing ephemeral versus eternal, genuine versus synthetic. In my work there are specific reference to objects that try to simulate beauty
and organic nature (such as in the synthetic flowers I am working
with). Juxstaposed against these are the deformed objects (as the human hands) to which I am giving a sculptural aesthetics by the photographic perspective that I am project on them.
In my work, one can see over and over again, the references to
beauty, materiality, aesthetics and decay which are shown as background to the death anxiety that occupies me as part of my personal and family biography.
In addition, I am exploring sexual complexities which arise in the absence of physical and interpersonal boundaries.

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Yarden Katz

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