This portrait exists outside of time — the woman is not posing, but resting within herself.

Blush-pink blooms surround her not as decoration, but as gentle protectors of her inner world.

The light on her skin feels like it radiates from within rather than being cast upon her.

She is not striving, not proving, simply allowing herself to be beautiful without effort.

_When Light Dreams_ is a visual moment of deep stillness, where the body remembers it is already home.

When Light Dreams

This is the moment after an inner collapse — quiet, invisible, but completely real.

The blackness isn't just aesthetic; it carries the full weight of a past that no longer fits.

Her head is bowed not in defeat, but in deep listening — to herself, to silence.

She has just whispered “enough,” and in that whisper, something new begins.

_The Old Life_ isn’t about loss — it’s a farewell that marks the first breath of rebirth.

The Old Life

A simple glass of water with orange becomes more than refreshment — it becomes a moment.

The bubbles, the shimmer, the way light plays across the ice and citrus peel feel almost cinematic.

This image invites the viewer to slow down and find meaning in the mundane.

It’s not about the drink itself, but about presence — a visual exhale.

_Very Tasty Water_ is a quiet celebration of stillness, sensuality, and the beauty of everyday rituals.

A Moment of Freshness

This is not just an interior — it’s a sacred space built for stillness, not spectacle.

Its clean lines and warm tones don’t shout, they _breathe_.

Every object, every shadow, feels intentionally placed — not to impress, but to soothe.

This space invites the quiet self to emerge, the one untouched by urgency.

_The Silent Space_ is a visual meditation on what it means to create with soul.

The Silence That Holds

In this portrait, the woman doesn’t stand beside fire — she _is_ fire. Her flames don’t destroy; they illuminate, cleanse, and empower. With closed eyes, she turns inward, fully feeling rather than performing. She no longer explains or restrains — she simply becomes, unapologetically.

_Flame of Freedom_ is a visual embodiment of raw feminine energy, uncontained and fully alive.

Flame of Freedom

This is not a princess, but a queen — one who wears her crown not for show, but from necessity. Her gaze doesn’t ask to be seen; it holds the strength of someone who has witnessed worlds fall and still stands.

The crown may shine, but her true radiance comes from within, from unshakable self-knowing. She belongs to no one, yet fully to herself, embodying both tenderness and will.

_She Was Born Crowned_ is a portrait of sovereign femininity — quiet, unapologetic power that doesn’t need to fight, because it already _is_.

She Was Born Crowned

This portrait captures the raw moment of rupture, when the surface finally gives way.

A mask begins to shatter, revealing a face that is imperfect, fragile, but fully alive.

It is the breaking point where pain transforms into liberation.

The cracks become the only doorway into truth and authenticity.

Fracture the Mask is not about weakness — it is about rebirth, raw and uncontainable.

Fracture the Mask

This piece embodies the raw, untamed force of feminine power.

Veiled behind a black mask, her eyes hold centuries of pain, wisdom, and resilience.

The horns are not decoration, but symbols of primal instinct, sacred authority, and deep kinship with nature.

Her dark garment feels alive, serving as ritual armor woven from struggle and liberation.

_Goddess of the Shadow_ is a modern myth — a reminder that the feminine can be both tender and fiercely protective.

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Vilma Barisiene

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