"COMING TO FRUITION" is a figurative painting that portrays the soul of a Black woman, depicted in black and white, void of color. Adorning her head is a lavish headdress overflowing with tropical fruits, from papayas to grapes and soursop.

This artwork represents a journey of self-discovery, healing, and hope through self-love and spiritual reconnection. It encapsulates the idea that living in abundance is a lifestyle—a celebration of life's beauty, joy, and endless possibilities. It encourages us to embrace each day with gratitude, live intentionally, and create a meaningful, fulfilling life.

"COMING TO FRUITION" is a visual reminder to never settle for less than a life brimming with richness and vibrancy.

Coming To Fruition

"As She Sheds" captures the serene essence of a young Mbalantu Tribe woman, her Eembuvi braids cascading to the ground. Having completed her initiation into womanhood, she stands with closed eyes and a proud bearing. Her gaze is fixed on the tenacious Namibian flora known as the Welwitschia Mirabilis, a symbol of resilience, its leaves never shedding as the pollen cones release into the earth. This piece portrays the parallel narratives of women and nature, shedding old layers and embracing newfound strength and fortitude.

As She Sheds

"WUNDER" is a figurative painting that portrays a Black woman whose face remains hidden behind a lush burst of tropical and exotic flora. In this evocative artwork, she is depicted in the process of blooming into her authentic self, discovering her purpose and identity, irrespective of external perceptions.

This painting draws parallels to "Alice in Wonderland," where Alice enters the Garden of Singing Flowers and is initially mistaken for a flower herself. However, as the flowers' narrow perspectives take over, they misjudge her as a weed, leading to her expulsion. The piece, through Alicia (representing Alice), wears a floral crown adorned with each flower from the singing garden.

Despite society's misunderstandings and misconceptions, Alicia remains steadfast in her authenticity and self-discovery. "WUNDER" serves as a poignant reminder that remaining true to oneself is a powerful act, even in the face of societal misjudgment and external pressures.

Wunder

"The Salt is Sweeter than the Sugar is Salty" is a figurative painting on the exploration of spiritual journeys and the imperative need for Black Diasporans to reestablish their ancestral bonds. This piece symbolizes the necessity of consistent, time-honored efforts to reconnect with one's heritage, akin to seasoning every meal with salt until it's depleted. Just as salt is integral to our bodies and tears, it serves as a healing agent for ancestral wounds, fostering a connection with our roots and with others who share this vital journey.

The Salt Is Sweeter Than The Sugar Is Salty

“THE WATER THAT TOOK US HOME" portrays an Igbo ancestor with flowing locks suspended in the air, poised at the ocean's edge, where a colonial ship awaits to enslave her. Her skin, rendered in black and white, symbolizes the essence of Black ancestral souls.

This poignant artwork narrates the compelling story of the Igbo community's choice to end their lives rather than endure enslavement. It embodies the powerful and heart-wrenching decision to opt for freedom over slavery, a profound testament to the choice between life and death.

The Water That Took Us Home

“Queen Protea" encapsulates the essence of resilience and strength. Set against a vibrant yellow background, it features a serene Black woman connecting with her South African roots. Her eyes closed in contemplation as she gazes upwards at the magnificent King Protea flower. This iconic bloom serves as a powerful symbol of resilience and endurance, mirroring the strength and beauty found within both nature and the human spirit. The harmonious fusion of the woman and the Protea in this piece evokes a sense of unity and empowerment, capturing a moment of introspection and inner strength.

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Tasanee Durrett

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