Homage to Grace Jones

Noens, mediums, glitters, perspex, aurora, pigments,

oils, oil-bars, circuits, lava, inks and other

secret ingredients.

Featured at SKETCH London and WALLPAPER

magazine + Soho Lights.

  
This work is available from my studio in London. Price upon request. 

CARDIAC PRISM ( Pull Up This Bumper) - Homage To Grace Jones

TRANSCEND

A painting i created for my solo show TRANSCEND at LA FONTAINE Contemporary art centre in Manama, Bahrain.

A transcendence from Cardiac to Networks, from inward to outward, from sadness to being alive and wanting to be happy again. Creating the happy space and transcending into it as hard as it was then, it succeeded..

Available from my studio in London.

TRANSCEND

TEXTURE MERGED NETWORKS - Double Sided KINETIC SCULPTURE - This kinetic installation is made of the sculpture (125 H×120 W×56cm D) & base (100 H x 100 W x 100 D cm) + Light box & a specially designed travel case.

This kinetic machine/sculpture engineered in Belgium – It has 2 sides: one kinetic and one static. The kinetic side structured with coloured layers of Perspex mounted on the aluminium base of the sculpture, Motors, Cogs, chain, rubber, and is connected to electricity plug.

3D aluminium cube base made of Steel & Aluminium.

Lightbox designed and made in Germany that is optional to use. This enhances the translucent colour reflections of the sculpture in case the sculpture faces a wall as opposed to free-standing central position in any given space.

This piece represents one merged scenario from the Networks Project as its’ first iterations, made in 2015\. Every movement of the colour and noise panels affects the colour interactions created on the reverse side of the artwork making variable possibilities something we experiment as we watch this piece.

This piece was showcased at SKETCH London in a site specific installation in the context of a solo show, Saatchi Gallery in London and Art and Only art platform. It is currently stored in Belgium in private residency.

Copyrights Taline Temizian 2016 

TEXTURED MERGED NETWORKS-Artefact I - Double Sided KINETIC sculpture- 

**WE ONLY KNOW IN THEORY/ WHAT WE ARE DOING** was the title of my solo show at Felix Ringel Gallery in Dusseldorf this September/October. It is also an Algorithm edited film composed of parts of several films from my moving image repertoire including the film “Revisiting The Crash Scene / A Psychogeography” a situationist film which was mostly based on footages performed and filmed at the Bozar in Brussels and presented at the SPITZER SCHOOL OF ARCHITECTURE in New York invited by professor Ali Hocek (and dedicated to Peter Wollen) combined with new material as well as my FMRI footages mixed and edited by Max Seeger solely via algorithms. This was projected during my solo show opening at Felix Ringel Gallery in Dusseldorf combined with the soundtrack of the show with the musical piece “ Schlaflied” and other noise arrangements by the Internationally renowned German composer Sven Helbig. This performance took place completely spontaneously in the back room of Felix Ringel gallery where I performed in person in response to this.

The Algorithm edited film gives an emotional account to the stories fed to it.

The question of throwing random thoughts, colours and data into an unknown universe and let it guide us was the main purpose. This freeform was the new direction with an extreme aesthetics, medical imagery, melody and poetry.
  
  

“Revisiting The Crash Scene / A Psychogeography”

The reversed juxtaposed proxy-cardiacs serve as reminders of traces of the past engraved as a stencil for the future. It is always the cardiac colours red and blue. Constructivism here serves as composition grid but also a constant modular and probable ways of seeing. 

2017 

Currently at Felix Ringel Galerie/ Dusseldorf, Germany 

CONSTRUCTION

3D Wall installation with perspex, glass, metals, vinyl and fabric + an entrapped portrait in graphite and oil bar fixed inside the mini "installation" and fitted with large metal screws.

  

JOHANN

Behaviour:

On powering up, video plays automatically through

a porthole.

Shape B, Padded velvet in Coral. Oil, acrylics, LCD

screen (autoplay), Audio, Braided cable, Acrylic box.

Theatre of the Opera and Ballet Russes magical

history meet a screen with digital and coded imagery

and memories of past, present and possibly future

that are streamed through this port hole and are all

in shades of Vermillion red, pink, coral and cadmium.

These look like the theatre chairs but also a node to

Pantone and the coral reef and all the design and art

matters that make up our experience and senses.

Kept in a Perspex box and preserved from the outside

polluted world in a glass planet of its’ own like all

precious artefacts of this planet or our own brains

and how we need to preserve it from the drones and

machines not just up in the air but inside itself.

  
This work is available from my studio in London. Price upon request. 

THEATRE IMAGINAIRE + DRONES 

Behaviour:

A neon carnival of lights and micro cinema surround the

painting – echoes of the colours on the canvas.

Oil, Acrylic, Oil bars, Neon pigments, Gold flakes, Glitter,

other powders, LEDS, LCD Screen, Proximity Sensor.

How many distorted glamorous paths we should walk

and how many neon skies, valleys of darkness and

palaces of glory, streets of loneliness and screams of

colours until we reach our destination… only to realise

it is the starting point… and there is no finish line.

Homage to Roland Barthes’ The Fashion System

& A Lover’s Discourse.

Video – “The Game And The Acrobat”. Memory is

perishable, and our brain is Neuroplastic. So happiness

is possible… all over again.

This work is available from my studio in London . 

ROLAND BARTHES + DIGI BLUE

https://platform.wise.art/wise-art-nft-awards/
  
  
 Pavilions OF Memory is a New-Media and multi-media Practicable installation that occupies a space of approximately 4 square meters. 

Provenance: GLUON & BOZAR LAB at the Maison Shaugnessey, CCA / Centre Canadien d'Architecture/ Montreal, Canada as part of the "A.I. BETWEEN HUMOUR, FEAR & UTOPIA" Curated by Christophe De Jaeger and in association with Printemps Numerique in March 2018 and the I Love Science festival at Tour Et Taxi in Brussels in April 2018\. Currently at PASS 2021.Wannegem, Gent/ Belgium curated by Kris Martin & Jan Hoet Junior. 

The piece is part of my ongoing project of Networks & Systems .. relating to Neuroscience, trauma and memory. 

The Networks project in general been developing since 2008\. Based on Roland Barthes' book "The Fashion System" but it studies these formulas like algorithms and tries to 

establish some kind of order with variables and endless possibilities for a better and happier future. 

The Installation: 

A sculptural organism with computer, paintings, perspex 3D pieces and monitor unit as well as sound system. 

There is a webcam attached to the screen that processes the input data through its’ openframework algorithm/code which is part of the artwork. The film broadcasted on a loop through this screen (part of the installation) is transmitted while being integrated with the superimposed visual data from the audience creating and broadcasting new realities. Each screen millisecond is a different one, the entire artwork changes making possibilities constantly seen, heard and felt. 

It is made up of 1- 3D Steel Sculpture that forms the main structure , 2- Two individual mixed media paintings one is 100cm diameter circular Belgian canvas on board and the second on 60x40cm mixed media on latex , 3- Two Perspex structures one round and the other layered multiple pieces approximately 100 x 100 cm, the above hangs in certain order as to when looked from the side looks like a dissected brain in sections. 4- Monitor unit with the coded computer and a complete machine with external webcam pointed towards the audience. 5- Sound-System (Kenwood), all the extra back-up computer parts and usb-s and extensions. 

Process: 

The content is integrated with my own FMRI brain scans performed by BRAINS Unimited at the department of Neuroscience at Maastricht University in collaboration with Prof. Beatrice De Gelder. 

The film showcases the constant ongoing neural cinema (my memory film) which is designed to resonate with the audience’s neural cinema. 

This is the first time i turn the camera towards my audience for a PRACTICABLE experience. This also acts as testing ground for future projects analysing memory and emotions. 

PAVILIONS OF MEMORY The film: 

Is a 6 minute film that is created specifically for this installation (part of this machine with progressive content that responds to the code).. Which targets our brain and its' memory (Both personal and collective).. i also placed my own FMRI imaging in the installation, whilst i was also thinking about the last century and what events lead to our disastrous path and how intense they were and what consequences they had and will still have…This is made up of very defining moments in recent and contemporary history and the warning sirens that Unless humanity really changes course. This was made in 2018, in an uncanny prophetic accuracy.. " 

Plug & Play Installation. Extra back-up computer is included with the work. 

Available with 3 part bespoke crates for secure shipping. Current location Belgium. 

Copyrights Taline Temizian 2018 

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TALINE TEMIZIAN

CARDIAC PRISM ( Pull Up This Bumper) - Homage To Grace Jones

TRANSCEND

TEXTURED MERGED NETWORKS-Artefact I - Double Sided KINETIC sculpture-

“Revisiting The Crash Scene / A Psychogeography”

CONSTRUCTION

JOHANN

THEATRE IMAGINAIRE + DRONES

ROLAND BARTHES + DIGI BLUE

PAVILIONS OF MEMORY

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