_With vibrant colors that catch the eye, The sacred kingfisher soars the sky, Graceful and swift in its flight._

_A connection to peace and divine light._

Radiant | Fifth in Series | Of the Earth but not of the Earth

What is the role of the darkness? Without the darkness there is no contrast for the light. The intense fear, pain and destruction of the world contrasted with the pure vibration of light, love, beauty and wonder is something I spend a lot of time thinking about and reflecting in painting. I have been inspired to use Munch’s The Sun as a jumping off point for inspiration for my own abstract melding the symbolism and the sun and rainbow prisms over a local mountain landscape of distant and close eucalyptus native landscape. A rainbow appeared as I was painting which felt poetic.

The Sun

The interconnection between nature and the divine feminine. This painting is a blending of physical and soulful energies inspired by the landscape of Cedar Creek where bush meets rainforest, grounded by granite boulders. 

Humanity in harmony with the wild. 

Present yet translucent.

The Divine Feminine | Rainforest

  
_Just like the banksia, strong and free, With stamens painted by the sun's decree, It shines, a symbol of the earth's might, In Luminescent, a moment of light._

Luminescent | Fourth in Series | Of the Earth but not of the Earth

Ethereal eucalyptus trees and shimmering spider webs between golden wattle at dawn signal the start of the day on this Tasmanian farm which combines agriculture and precious environmental preservation of habitat. 

As Night Melts into Day | Spring at Curringa Farm Tasmania 

_Of the Earth but not of the Earth we stand in this ethereal land._

_In a world beyond, where beauty thrives. This painting, a symbol, of what I hold dear, a gentle reminder, love is always near._ 

_Inspired by my home landscape of eucalyptus, Australian bush and dragonflies…_

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Shannon Yeardley

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