DESMEDIR: Flying lightly and misaligning the false border in movement and distance, of a glacial winter and transhumant sound.  DESMEDIR. The work is constructed from a neutral place where it questions the existence of at least three (at least imagined) places: the measured, the immeasurable and the neutral. What is nothingness? ¿How is the definition of the human changing? What would life be like without us? There is a convention that such a place is associated with the natural; with that which had no (apparent) intervention or modification, with purity, fragility and naivety; with all that we know and know of its existence given the ability to reason and assimilate table as the object that allows us to rest things on it. The neutral starting point of creation. Creation that each spectator will be able to experience. In the construction of the term DESMEDIR, and ultimately, in the search for the generation of new interpretations and bodies (self-knowledge), the artist associates DESMEDIR with definitions close to discovery and experimentation; to the static natural; to the notion of landscapes, indefinite horizons and places to inhabit; to the discovery of colour palettes, painting techniques, and timeless (or not) places in the past and near future.  Height, earth, darkness and clarity, closeness, rough and winding, wide and unknown. The human or non-human figure, as we know it, does not appear in the work and this is in order to favour the creative and imaginative processes of whoever observes the work and considers that it has been created by something, even post-surreal.  DESMEDIR is a sensorial experience where the spectator has in front of him the possibility to go through and discover himself; to reinvent himself by seeing himself, to rethink the real - surreal - post-surreal; it is a work that tries to promote the imagination and the way towards other ways of conceiving the defined, and to imagine that what happens there, happens within himself (of the temporary space and of the spectator). A work that is between bodies, technology and the Eart.
In solo exhibition at HAZE Gallery Berlin until 25 December 2021  

SOUNDS, DESMEDIR 2021

TRASHUMANT, DESMEDIR 2021

DESMEDIR: Flying lightly and misaligning the false border in movement and distance, of a glacial winter and transhumant sound. DESMEDIR. The work is constructed from a neutral place where it questions the existence of at least three (at least imagined) places: the measured, the immeasurable and the neutral. What is nothingness? ¿How is the definition of the human changing? What would life be like without us? There is a convention that such a place is associated with the natural; with that which had no (apparent) intervention or modification, with purity, fragility and naivety; with all that we know and know of its existence given the ability to reason and assimilate table as the object that allows us to rest things on it. The neutral starting point of creation. Creation that each spectator will be able to experience. In the construction of the term DESMEDIR, and ultimately, in the search for the generation of new interpretations and bodies (self-knowledge), the artist associates DESMEDIR with definitions close to discovery and experimentation; to the static natural; to the notion of landscapes, indefinite horizons and places to inhabit; to the discovery of colour palettes, painting techniques, and timeless (or not) places in the past and near future. Height, earth, darkness and clarity, closeness, rough and winding, wide and unknown. The human or non-human figure, as we know it, does not appear in the work and this is in order to favour the creative and imaginative processes of whoever observes the work and considers that it has been created by something, even post-surreal. DESMEDIR is a sensorial experience where the spectator has in front of him the possibility to go through and discover himself; to reinvent himself by seeing himself, to rethink the real - surreal - post-surreal; it is a work that tries to promote the imagination and the way towards other ways of conceiving the defined, and to imagine that what happens there, happens within himself (of the temporary space and of the spectator). A work that is between bodies, technology and the Eart. In solo exhibition on HAZE GALLERY Berlin until December 25 - 2021. 

MOVEMENT, DESMEDIR 2021

LIGHTLY, DESMEDIR 2021

WINTER, DESMEDIR 2021

GLACIAR, DESMEDIR 2021

FALSE BORDER, DESMEDIR 2021

DESMEDIR: Flying lightly and misaligning the false border in movement and distance, of a glacial winter and transhumant sound.  DESMEDIR. The work is constructed from a neutral place where it questions the existence of at least three (at least imagined) places: the measured, the immeasurable and the neutral. What is nothingness? ¿How is the definition of the human changing? What would life be like without us? There is a convention that such a place is associated with the natural; with that which had no (apparent) intervention or modification, with purity, fragility and naivety; with all that we know and know of its existence given the ability to reason and assimilate table as the object that allows us to rest things on it. The neutral starting point of creation. Creation that each spectator will be able to experience. In the construction of the term DESMEDIR, and ultimately, in the search for the generation of new interpretations and bodies (self-knowledge), the artist associates DESMEDIR with definitions close to discovery and experimentation; to the static natural; to the notion of landscapes, indefinite horizons and places to inhabit; to the discovery of colour palettes, painting techniques, and timeless (or not) places in the past and near future.  Height, earth, darkness and clarity, closeness, rough and winding, wide and unknown. The human or non-human figure, as we know it, does not appear in the work and this is in order to favour the creative and imaginative processes of whoever observes the work and considers that it has been created by something, even post-surreal.  DESMEDIR is a sensorial experience where the spectator has in front of him the possibility to go through and discover himself; to reinvent himself by seeing himself, to rethink the real - surreal - post-surreal; it is a work that tries to promote the imagination and the way towards other ways of conceiving the defined, and to imagine that what happens there, happens within himself (of the temporary space and of the spectator). A work that is between bodies, technology and the Eart. 
In solo exhibition on HAZE GALLERY Berlin until December 25 - 2021. 

DISTANCE, DESMEDIR 2021

DESMEDIR: Flying lightly and misaligning the false border in movement and distance, of a glacial winter and transhumant sound.  DESMEDIR. The work is constructed from a neutral place where it questions the existence of at least three (at least imagined) places: the measured, the immeasurable and the neutral. What is nothingness? ¿How is the definition of the human changing? What would life be like without us? There is a convention that such a place is associated with the natural; with that which had no (apparent) intervention or modification, with purity, fragility and naivety; with all that we know and know of its existence given the ability to reason and assimilate table as the object that allows us to rest things on it. The neutral starting point of creation. Creation that each spectator will be able to experience. In the construction of the term DESMEDIR, and ultimately, in the search for the generation of new interpretations and bodies (self-knowledge), the artist associates DESMEDIR with definitions close to discovery and experimentation; to the static natural; to the notion of landscapes, indefinite horizons and places to inhabit; to the discovery of colour palettes, painting techniques, and timeless (or not) places in the past and near future.  Height, earth, darkness and clarity, closeness, rough and winding, wide and unknown. The human or non-human figure, as we know it, does not appear in the work and this is in order to favour the creative and imaginative processes of whoever observes the work and considers that it has been created by something, even post-surreal.  DESMEDIR is a sensorial experience where the spectator has in front of him the possibility to go through and discover himself; to reinvent himself by seeing himself, to rethink the real - surreal - post-surreal; it is a work that tries to promote the imagination and the way towards other ways of conceiving the defined, and to imagine that what happens there, happens within himself (of the temporary space and of the spectator). A work that is between bodies, technology and the Eart.  

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MascoGA | Mathias Escotto Gadea

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