His artistic expression was shaped by the free creative environment of the graffiti scene. Martin's entire work is permeated by the fascination with lines, which he develops into an infinite variety of shapes into an abstract composition. At the beginning of each of his paintings, there is a random blot at first glance, although there is no place on the canvas of coincidence and everything has a fixed order. Behind every line, rounding or bend and behind every shape is a carefully thought-out concept. The layering of variant lines on an unbounded coloured area can be reconstructed retrospectively and each of the layers is slightly acknowledged and we, like archaeologists, can uncover their relics.
The complete harmony of organic structures brings a unique, even meditative experience to the viewer standing in front of Martin's canvasses. At the same time, it stimulates the observer’s imagination and triggers chains of associations.