Primitive, golden masks, reminiscent of works of ancient cultures.
Similar relics referred to as priceless are displayed today behind armored glass.
Which of these facilities were really unique in the past?
If objects gain value over time, does underestimated contemporary work have a chance to become invaluable one day in future?
What will become the “posthumous mask” of modern man.


bronze
41x27x17  ,  34x25x16 cm
2018 London, UK

photos : Chang Dung Dung 張東東


An extremely exotic flower that grows in the garden but does not belong to this world

An installation created as a comment to a worrying phenomenon – fascination with Nazi ideology, often noticeable nowadays.



2013 Warsaw, PL
250 / 250 / 70 cm
metal, wood

Our children play

A critical interpretation of the bust of King Leopold II Coburg, made of Belgian chocolate. Edible and monstrous sculpture speaks of the past of its substance – the shameful, bitter history of the Belgian Congo colonization and the brutal genocide committed by Leopold II on this territory which for over half a century was his private property.


2015, Lanaken, BE
85 / 65 / 35 cm
belgian chocolate

Chocolate Leo

2018 London
300 / 300 / 300 cm
own techniques

Flying Object II is a modified version of Flying Object I and it`s ipso facto, metaphorical commentary on the uniqueness [singularity] of British people, especially in the light of Brexit.

Flying Object II

2011, Warsaw, PL
400 / 130 / 100 cm
wood, metal

Wooden elements-shreds, created in the process of execution of sculptures and left as waste in the studios of ten sculptors have been collected in this work to create a whole. The artwork restores the value of what is unwanted, rejected and worthless.

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Mariusz Wolny