Light as a feather Entelleda roams the fields of the lost

Entelleda

A mysterious deity thriving on the darkness in your heart.

The Shroud

Heart Of Gold

In the future we see more and more integration of endotechnology

Cyberpunk Nightlife #024

A good night out will always be a thing amongst the young in every generation.

Cyberpunk Nightlife #128

As our living environment changes so do we but basic desires, like a good night out will always remain.

Cyberpunk Nightlife #130

This art piece was created using an extremely old photograph from Russia.

Russian Woman in 1880

Greta Garbo was the biggest star at MGM Studios during the late silent–early sound era, when American movie attendance was at its all-time high. Her success lay in an angular, flawless beauty and a performance style rooted in subtly expressive eyes set against an otherwise enigmatic countenance. Garbo was nicknamed the "Swedish Sphinx" for conveying a coolness that has been variously described as alluring, indifferent, melancholy, and aloof. The filmmaker Billy Wilder explained, "Her face . . . has such uniqueness, such luminosity that . . . you read into it what you like." Garbo signed a contract with MGM in Sweden but was seemingly forgotten when she arrived in New York City. She planned to return home until company president Louis B. Mayer saw this and other portraits taken by Arnold Genthe that captured her photogenic mystique. Within days Garbo was bound for Hollywood. In retirement she became the most famous recluse in America.

Greta Garbo - 1925

A luminous beauty and a gifted actress, Dolores del Rio rocketed to Hollywood stardom within a year of her arrival from Mexico in 1925. After minor roles in several films, del Rio established herself as a major box-office draw with her performance as a French barmaid in the World War I drama What Price Glory?—one of the top films of 1926. Although the American movie industry counted her among its first “Latin” stars, del Rio resisted Hollywood’s efforts to typecast her as a south-of-the-border siren during her silent film career. With the introduction of sound pictures, however, del Rio’s accent made it easier to consign her to stereotypical roles. In 1942 she returned to Mexico and embarked on a rewarding new career in Spanish-language cinema that would earn her four Silver Ariels, the Mexican film industry’s highest award.

Dolores Del Rio - 1927

The original photo print on gelatin silver was carefully colored and then further processed to add layers of color and texture to come back alive.

Gilda Gray - 1926

This image of Buffalo Bill Cody was generated using an albumen silver print photograph from 1877. Colors and texture were added to create something new, something colorful.


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