The work is an assemblage with a subtle cubist inspiration, which criticizes racism and violence against blacks in some parts of the world. With the juxtaposition of complementary colors in the background where we also find photo collages of black slaves of some ethnic groups emphasizing our origins. The deconstruction of the city makes us reflect on the proposed theme, weapons, ballistic projectiles, a critique of violence in big cities.

Raízes Caóticas 

Deconstructed work with cubist inspiration and the presence of animals such as the jaguar, overlapping birds and butterflies. The work is a criticism of the fires and deaths of wild animals that occurred in the Amazon region causing great damage to the environment, it was elaborated with complementary colors and inspiration from indigenous drawings in the region. At the top, we find the numbers of the usual seconds referring to a day and also milliseconds faster than planet Earth completed its rotation in July 2020, interacting with the proposed theme and content of the work.

Salve-me

The work was conceived with cubist inspiration, complementary colors, deconstruction of the city, Chinese ideograms with the meaning ( coronavirus - covid-19 ) and collage of old stamps. It is a criticism of the chaos we are experiencing at the moment, in the financial sector, health and violence. We find in the work the symbols of the main world currencies, skulls symbolizing death and the stamps of some countries affected by the world crisis due to the pandemic.

Éramos Nós

There, the machine is an assemblage critical to corruption and due to the current political and social situation in which my country of origin is located. to money, but to deforestation and fires causing the emission of polluting gases, to hard and suffering work. The enigmatic spirals make us wonder about the mysteries of life.

La Máquina 

Assemblage -Painting in acrylic on canvas, crayons, computer fragments and drawing collage on canson.A paper work deals with scenes of daily life in the city of São Paulo, such as violence represented by red, fragment design and look with tears , urban congestion in São Paulo, the technology represented with computer fragments. Work with the juxtaposition of complementary colors and cubist influence which is a reference of classes I teach as an art teacher on the outskirts of Sao Paulo.

Urbe Submersa 

Painting in mixed technique with cubist influence, pastel chalk and collage drawing on charcoal on Kraft paper. The charcoal drawing is a rereading of -Retrato de uma señora, made for a seminar in college. In my work I draw a dialogue between everyday life with cubist influence, stereo and
Paolo Uccello (1397, Florence - December 10, 1475, Florence) who was an Italian painter. Uccello was part of the Quattrocento of the Renaissance, distinguished by his mastery of the paintings in perspective and the impression of relief he gave to the painting, resorting to this in the chiaroescuro. He was obsessed with perspective and spent nights trying to figure out Vanishing Point.

Diálogo

Acrylic assemblage and painting and some interference with crayons and collages such as: Woodcut and informative clippings. The work is the deconstruction of a homemade scene, chair, table, necessaire, television with inspiration and cubist criticism, when he watched everyday scenes and a report on urban violence on the outskirts of Rio de Janeiro. The name Sonho e Lágrimas arose from these events seen on television, but the approach is made subtly with the influence of complementary colors, a reference to the classes I teach in History of Art.

Sonhos e Lágrimas 

The work Urbanoide XP was one of the first in the style with a cubist influence, which incidentally came from my Art History classes in the peripheral regions of the city of São Paulo - Brazil. Complementary colors emerged with the influence of Impressionism and the Fauves, classes on colors and Newton's chromatic circle. The deconstruction of cell phones, buildings, CDs and a man with a hammer in his hands are found in the work as a contrast between technological and manual labor.

Urbanóide XP

Assemblage inspired by analytical cubism, with the fragmentation of a cell phone, car, weapons and buildings. The setting was a biblical inspiration from Revelation with the use of ancient seals as a reference to the seven letters of the New Testament. The work is a critique of the end times, such as violence, wars and the biblical apocalypse.

Apocalíptico Urbanóide

The work was conceived with complementary colors and a slight cubist inspiration, deconstructing a camcorder, cell phone and making us reflect on the daily life we are experiencing. The skulls symbolizing death by the invisible enemy covid - 19 with a subtle emphasis on the Mayan, Aztec and Mexican peoples. We find in the work the books of the New Testament as signaling to the divine and pointing to something spiritual. supernatural and occult.

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José Lisboa

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