Working with matters of communication, mergence, presence and absence which in the past have been expressed performatively through movement pieces captured photographically and through video, “the veil” as an omen of these matters has been a central element embodied by the white fabric. Progressing through the natural flow of the work, the veil has come to be a third entity as the collaborative force, much like Abramovic and Ulay’s “doppelganger”: “the collaborative body became their real body… corporeal bodies had been stripped of normal significance, like shadows.”

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Karl Frandsen

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