In this pandemic period when we lock ourselves in the house due to Covid 19, we are in touch deeper with technology. The virtuality brought by technology enables us to acquire virtual identities in the frame of Jung's Persona. In our techno-tribe where we are equipped with virtual personas, we need to see, think, feel and hear each other more than ever.

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Our life practices, which we have created in “Me and the Other” dilemma by holding firmly to certain patterns, rules and prejudices in daily life, remain quite insignificant within the laws of the universe. Every practice performed on the basis of the transience of life, has different consequences for every living thing. On this axis of relativity, our souls who try to live in unchangeablity and strictness are almost in a hell fire. Based on this concept, the “Relativity of Everything” section in Montaigne's “Essays”, which expresses our thoughts extraordinarily, has created the basis of the project. Each of the eight videos that we create by using a visual narrative with mixed technique depicts the different sections in the "Relativity of Everything" section of Montaigne. Each video aims to draw the receiver into the narrative, which it incorporates into the loop of a repetitive flow. In this context, the "human attitudes" questioned by Montaigne become a problematic for the audience as well. The Relativity of Everything embodies the relativity of us, as the project producers, who are actually doing a collective work. The videos, prepared as quads, reflect the relativity we encountered when we were interpreting the thoughts of Montaigne.

Passage/Dream:
They who have compared our lives to a dream were, perhaps, more in the right than they were aware of. When we dream, the soul lives, works, and exercises all its faculties, neither more nor less than when awake; but more largely and obscurely, yet not so much, neither, that the difference should be as great as betwixt night and the meridian brightness of the sun, but as betwixt night and shade; there she sleeps, here she slumbers; but, wheth- er more or less, ‘tis still dark, and Cimmerian darkness. We wake sleeping, and sleep waking. I do not see so clearly in my sleep; but as to my being awake, I never found it clear enough and free from clouds; moreover, sleep, when it is profound, sometimes rocks even dreams themselves asleep; but our waking is never so sprightly that it rightly purges and dissipates those whimsies, which are waking dreams, and worse than dreams. Our reason and soul receiving those fancies and opinions that come in dreams, and authorizing the actions of our dreams with the like approbation that they do those of the day, wherefore do we not doubt whether our thought, our action, is not another sort of dreaming, and our waking a certain kind of sleep?

Passage/Senses:
If the senses be our first judges, it is not ours that we are alone to consult; for, in this faculty, beasts have as great, or greater, than we; it is certain that some of them have the sense of hearing more quick than man; others that of seeing, others that of feeling, others that of touch and taste.

Passage/Spittle:
Our spittle cleanses and dries up our wounds; it kills the serpent:—what quality shall we attribute to our spittle? as it aects ourselves, or as it aects the serpent? By which of the two senses shall we prove the true essence that we seek for?

Passage/Meet:
Pliny says there are certain sea-hares in the Indies that are poison to us, and we to them; insomuch that, with the least touch, we kill them. Which shall be truly poison, the man or the fish? Which shall we believe, the fish of the man, or the man of the fish? One quality of the air infects a man, that does the ox no harm; some other infects the ox, but hurts not the man. Which of the two shall, in truth and nature, be the pestilent quality?

Passage/Hyposhagma:
They who are troubled with the disease that the physicians call hyposphagma—which is a suffusion of blood under the skin—see all things red and bloody. What do we know but that these humours, which thus alter the operations of sight, predominate in beasts, and are usual with them?

Passage/See:
We see at festivals and theatres that, opposing a painted glass of a certain colour to the light of the flambeaux, all things in the place appear to us green, yellow, or violet:—‘tis likely that the eyes of animals, which we see to be of divers colours, produce the appearance of bodies the same with their eyes.

Passage/Essence:
Now, our condition always accommodating things to itself, and transforming them according to its own posture, we cannot know what things truly are in themselves, seeing that nothing comes to us but what is falsified and altered by the senses. Where the compass, the square, and the rule, are crooked, all propositions drawn thence, and all buildings erected by those guides, must, of necessity, be also defective; the uncer- tainty of our senses renders every thing uncertain that they produce.

Passage/Effort:
To judge of the appearances that we receive of subjects, we ought t have a deciding instrument; to verify this instrument we must have demonstration; to verify this demonstration an instrument; and here we are round again upon the wheel, and no further advanced. Seeing the senses cannot determine our dispute, being full of uncertainty themselves, it must then be reason that must do it; but no reason can be erected upon any other foundation than that of another reason; and so we run back to all infinity.

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