**This Is a Woman’s World** depicts a quiet interior where a solitary bust sits surrounded by images of female bodies. Rather than presenting the figure as monumental, the painting places it in a state of uncertainty and stillness. The work reflects on presence, observation, and the shifting balance between vulnerability and power.

This Is a Woman’s World

**Daydreaming** explores the reclining female figure as a quiet psychological space between rest, vulnerability, and inner drifting. Made with charcoal on canvas, the work uses soft tonal transitions and blurred contours to suggest a body suspended between physical presence and dreamlike distance.

Daydreaming

This painting was created as part of my current master’s research into twins, nonverbal communication, and forms of connection that exist beyond language. I am interested in the moment when two people become almost indistinguishable — when one presence begins to dissolve into another. Built slowly through layers of pigment and acrylic medium on canvas, the work reflects on intimacy, mirroring, and the fragile boundary between closeness and separation.

WE 2

**Echo of the Body** explores the female figure as a fragile trace between presence and disappearance. Through charcoal marks, muted yellow tones, and soft painterly gestures, the work suggests memory, vulnerability, and the shifting perception of the body.

Yellow silence

WE I

**Held in Stillness** focuses on the quiet tension of the seated body. Through charcoal lines and subtle tonal modelling, the work explores balance, weight, and the vulnerability of a figure caught in a moment of stillness.

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Inese Rēvalde

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