four arches on the move 

reduced, conrete ceramic plastic

my little pig 

four arches in pink

four arches in movement

redced abstract Plastic, 

Modell for a landscape sculpture
  
  

Four arches, reduced abstract 

ceramics glaced

wallplastic

four arches 

Bronze 20.2

Bronze 20.3

This work is one of a series of bronze works created by connecting individual forms to form a new overall sculpture. The basic principle is to connect the forms in a recurring rhythm. The sweep of the forms creates interesting interiors.   The individual forms are modeled and connected with few tools and thus resemble naturally grown branches, like a root system of bronze, which interwoven gives support to the whole and seeks it.  The association with a naturally occurring, almost living-looking mesh is underlined by the material and the natural patina of the bronze. 

Bronze 21.2

This work is one of a series of works created by connecting individual forms to form a new overall sculpture. The basic principle is to connect the forms in a recurring rhythm. Interior spaces are formed that the viewer can explore by following the curves of the forms with their eyes. The individual forms are modeled and connected with few tools and thus appear almost like naturally grown branches. The association with a naturally occurring, almost living-looking mesh is underlined by the material and the natural patina of the bronze.

Bronze 20.1

Ceramic 21.8

By connecting similar shapes in a recurring rhythm, abstract sculptures grow. The sculptures develop their own formal language through the way the connections are set and also through the material from which they are made.  Inner spaces are created, inner forms are formed, the outer form results from the joining of individual elements to form a whole.  

Ceramic 21.9

By connecting similar shapes in a recurring rhythm, abstract sculptures grow. The sculptures develop their own formal language through the way the connections are set and also through the material from which they are made. Inner spaces are created, inner forms are formed, the outer form results from the joining of individual elements to form a whole.  

Ceramic 21.6

 The steel sculpture was created from a ceramic model and follows the approach of reconnecting similar individual arcs to create a new overall form. Despite the heaviness of the steel, the sculpture seems to have a lightness, opening into space as if in a dance.

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Heike Weber

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