UNTIL MARCH is a fragile, self-writing computational system designed to wait.

Over several weeks, the installation generates and prints status reports that document the distance to an unknown momentin March, producing a growing paper trail. Time is translated into technical values, seconds, timestamps, system drift, which merge with fragmented textual states.

With each iteration, the system subtly alters itself. Memory shifts, repeats, destabilizes, and overwrites previous states. The printed records remain readable, yet increasingly unstable, suspended between structure and erosion.  
  
Rather than functioning as a countdown, UNTIL MARCH frames waiting as an ongoing process: a fragile relationship toan uncertain future. The machine continues to operate without knowing when, or if, its condition will be resolved.  
  
The work accumulates time physically. It produces an archive of its own duration. It persists until it reaches its hiddenmoment or gradually forgets what it was waiting for. There is no guaranteed outcome.

UNTIL MARCH

**SEEYOUSEEME** is an interactive installation that transforms the act of observing into an act of exposure.

Using a camera and real-time facial analysis, the system detects and classifies emotional states, transforming facialexpressions into numerical values. Visitors are not only observers, but become part of the computational process.

Embedded within a painted canvas, the technological components appear exposed and wounded. Cables, circuits, and decorative elements form a fragile interface between body, image, and machine.

The work reflects on self-surveillance, digital visibility, and emotional extraction in social media culture. It asks what itmeans to look - and to be looked at - when attention itself becomes a form of labor and identity becomes a measurableresource.

Within the AURA series, SEEYOUSEEME explores how technological systems produce new forms of intimacy and control, presence and exploitation, visibility and vulnerability.

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Giulia Vaccaro

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