**Ius soli. Campania Felix delenda est.**

**Chapter one: Vesuvius black zone. Waiting, passing redemption.**

  
Mt. Vesuvius is the largest active volcano in continental Europe, the only one to have erupted in the last hundred years. It has been, during at least two centuries, the icon and the paradigm of natural disasters in western European culture. The latest eruption, March 1944, closed a centuries-long cycle of volcanic activity, opening a long period of dynamic rest. Almost 90 years later, about 3 million of people live in the metropolitan city of Naples, and almost one third are inhabitants of the Vesuvian area. Nowadays an evacuation plan in the event of an eruption provides for the division of this same area into different warning zones, the most important of which is the _red zone_: in case of alert the inhabitants are displaced elsewhere in Italy or grouped in safe places. The Vesuvius Red Zone reveals a geographical and political delimitation which serves as a structure for my documentary photography based archive: 25 cities (potentially) preparing to turn into an immense archaeological site.

  
Searching for marks, signs and ruins, clues, remains and signals on the soil, the most important action is to collect: on the surface and in the depths of excavations. Once one is ready to arrange everything, to organize, to interrogate matters, to produce a new material, one shifts to the act of _condĕre_: to found, to create, to compose, to describe, to tell, to bury, to plant, to immerse, to put sheltered. When scattering seeds on another terrain they first design a constellation before disappearing into the depth of soil.

_Ius Soli_ is built as a documentary archive of the archeology of the present in Vesuvius Red Zone, but it is also developed as a tool to measure images’ ability to transform noise (outside reality) into intelligible signals. _Ius Soli_ is a collection of (archaeological) fragments that, despite my intentions and beyond my strategies to sort them, will speak their own words.

  
Signal from noise is both a site specific sound installation (microphone, recordings, lava stones, various collected objects rubbed and played) and an archive of collaboration with composers: _Signal from noise_ (excerpt) is a live piece composed by Phil St. George from field recordings for _Prolegomena per un museo archeologico della Zona Rossa_ (2020)_. Lavami col fuoco_ is a piece composed by rumoremuto rewriting recordings of rubbed stones. for Corte _Vico II San Michele_ (2022) site specific installation of _Ius Soli_.

  
_La terra è viva. La terra è fertile._ is a chapter of _Ius Soli_ featured by Seeeds Gallery. Fertility is one of the fundamental values ​​explaining the density of population on a land doomed to disaster. It’s that same catastrophe that makes the land fertile. The simplest way to visualize the idea of ​​fertility is food. Fruits, vegetables land and then the cooking.

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