Gigantic Necklace reimagines adornment on an architectural scale. Rooted in her background in metal craft and jewelry, Allyson Jeong transforms oversized chain links and sculptural pendants into a contemplative spatial installation.

Through techniques of bending, polishing, and texturing, the metals' surfaces capture light and shadow like a living skin. By displacing jewelry from the body to the room, this piece questions: When scale and function dissolve, can ornament become sculpture?

This work resists utility and invites reflection on material, form, and the silent weight of beauty.

Gigantic Necklace

_Wonder_ captures a profound sense of duality and introspection. It features two opposing faces positioned on either side of a central hollow, creating a powerful dialogue between presence and absence. The faces, though fragmented and abstracted, exude subtle emotions, drawing attention to the tension between the internal and external self.

  
The hollow core acts as a visual and conceptual anchor, symbolizing a void or space for contemplation, suggesting the unspoken or unseen aspects of identity. The textured surface and irregular edges add a raw, organic quality to the piece, emphasizing themes of imperfection and transformation.

Wonder

Sunburn

This is Mother tree. She is old, her roots have digged deep into the earth. Her bark is rough it gives shelter to insects and lichen. She is connected through the threads in the soil.

  
Dit is Boommoeder. Ze is oud, haar wortels zijn diep in de aarde te vinden. Haar bast is ruig en weerbarstig, Ze geeft een thuis aan insecten en korstmossen. Ze maakt contact door de draden onder de aarde

11  Ancient Mother tree

This piece is part of my current abstract series "Espoir" and is the ninth work in it. Focusing on transience, it plays in the space between the past and the hope for a new beginning, symbolized by the white surface.

E/09

_Supernova reveals the fleeting beauty of cherry blossoms in Robertsbridge, where perfect light and wind converge to create a rare moment. This piece evokes a deep appreciation for spring’s fragmented beauty._

Supernova

SELF PORTRAIT

This work began as a conscious decision to engage with the motif of a flower — a theme often dismissed as cliché in contemporary art discourse. By embedding the image within the context of digital-age information overload and assigning it anthropomorphic traits, I aimed to explore the blurred boundaries between organic form, human identity, and visual abstraction.

From Flower to Power 2

introspection - the wave

Could Ear II

_A woman stands between fate and free will, between action and consequence._

  
_In Destiny – The Shaping of Fate, a woman in red stands poised between action and temptation, holding an arrow and an apple. Butterflies flanking her sides symbolize the past, the future, and the profound transformation. At her feet, a scorpion introduces a note of caution, representing a reminder of the consequences of one’s actions, urging vigilance and discernment. Her expression conveys deep contemplation, suggesting significant choices are at hand. This portrayal delves into the tension between external forces and inner resolve._
  
  

Destiny - The Shaping of Fate

Ballerinas

Land and Sea (Day Break)

In this work I experience the rough texture of a facade washed away by time, the layers of paint worn away by the weather, remnants of graffiti visible, an image of transience. And yet this work subtly carries energy into every room, clearly showing the value and preservation of its artistic right to exist. The patina of the light blue on the remnants of various colors highlights the crumbly textures.

Abstract No. 56/24

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Ruderer im Wind

This diptych reflects on the fragile boundary between memory and disappearance. The first canvas (Field of Echoes) evokes vertical silhouettes rising from a scorched ground — traces of presence held in silence. The second (Falling Silhouettes) captures petal-like forms suspended between bloom and collapse. Built with Mediterranean sand, burnt sienna, and black, both works explore collective trauma and remembrance through gesture, texture, and material restraint.

  
2025, Acrylic and Sand

Texture on Canvas, palette knife

Size: 55 x 90 cm

What the Field Remembers (Diptych)

**“Scenes of Conception”** is a mixed media series exploring the invisible drama of fetal development through sculptural and clinical aesthetics. Using polyurethane foam on canvas, each work stages a specific biological milestone — from implantation to full-term gestation — transforming scientific process into metaphysical narrative. The final piece, _Finis intrauterinus_, captures the paradox of completed life still enclosed within the body: formed, conscious, yet unborn.

«Act 3: IX. Finis intrauterinus»  Part of the Series: “Scenes of Conception”

**This artwork seeks to capture the intensity and mystery of inexpressible human emotions.**

The blurred, almost spectral figure, caught in an inner storm, with hair swept by the wind, evokes a sense of confusion and inner turmoil. The use of black and white enhances the vintage feel, lending the image a timeless and enigmatic atmosphere.

Conceived as a catalyst for deep reflection, this piece fits seamlessly into spaces that embrace both contemporary and classic aesthetics, sparking a silent yet powerful dialogue with the viewer.

Unspoken Glance

This artwork explores the idea of predation on a psychological and abstract level, rather than through literal animal metaphors. Figures dissolve, merge, and exist on an uncertain boundary, caught in an invisible flow of power dynamics.

  
The dominant upper figure looms with an unreadable gaze, while the chaotic, fragmented bodies below embody uncertainty, submission, or the struggle for survival.

  
This painting reflects a world where predators are not always beasts, and herbivores are not always victims. Power, manipulation, and the instinct to endure become fundamental aspects of human consciousness and social structures. 

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