These pieces were painted since 2018. I don't seperate them into cycles, because they're all some kind of glimpses of past based on very different moments and in the same time there's a lot of similarity in them. When I'm in the process of painting it's some kind  of state of meditation, trance, I don't plan the final result ever. I don't know where I'm going with this and what reflects in these paintings. I try to follow subcouncious, I dream, I almost disappear. That's why I think painting it's the most authentic part of my life. 

Conviction of the mind about the real world / Paintings

The project is a response to the problem of  identity in contemporary times and about swapping many areas of human activity for computer work. Image has a significant impact on life now and it's a kind of alter ego creation.
Displaying abstract mapping that is in opposition for beauty filters commonly used in social media does not compliment beauty, but distorts her and disturbingly manipulate her. Is to call discussion about information obtained about people through algorithms  and raises the problem of awareness of the publicity of the content and some abstract risk it carry with it.

Human Deformator was shown  two times on exhibitions in Warsaw. It was a face mapping which was activating when the person put face on a display connected to program. Then it was randomly selected for each person by the computer. 
In front of the person was a mirror where the person could see their reflection.






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Aleksandra Pawłowska

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