Chiesa dell'Abbazia della Misericordia di Venezia, finissage week Biennale. Marco Guglielmi's ComPUSter n.01

Marco Guglielmi's ComPUSter n.01

“When I paint, having obtained the right attitude and inspiration on the right moment, the act of painting converts in a state of being”.


KAREL STOOP, "Cosmic landscape"

RE.nato MI.nutaglio (Neaples, 1926 – Rome, 2011) is the only 11HellHeaven artist who is no longer living. It is a well deserved tribute to a true Traveller in unconscious realms, exploring the darkest ghosts of the mind through a unique pictorial language inspired by art brut and growing unpredictably beyond all categorizations.
His existence was entirely devoted to art, in his dual role as sensitive painter and as a collector and connoisseur. Pain, sorrow and religious exaltation grafted over the years on a temper already inclined by nature to psychic hypersensitivity, generating on canvas a crazy jumble of ghosts and recurrent hallucinations.
All the vast production of RE.MI. (especially in his last years, when he lived sick and in total isolation, painting with feverish zeal on every surface he could get his hands on) evokes a grandiose choral fresco of dreamlike visions that bring the artist close to the spirit of Hieronymus Bosch (1453-1516), and for which the most fitting definition could be “hyperpsychic painting”.
 Bizarre, macabre and dreadful, RE.MI.’s hyperpsychic painting with its ugly deformations and jarring colors discloses all the fears of hallucination, while the deepest intimacy of  dreams reveals an extremely real and universal bitter satire.

RE.MI., "HyperPsychic"

Medusa is an eclectic and experimental artist. She develops her art strongly arising from herself and ranging from photography to performances and writing. Always in search for new artistic languages, she enacts mutant and bizarre visions, playing with irony and provocations that can also get cruel. 

She exhibits since 2008 both in galleries and in the underground scene. Among the others: Pelanda @ Macro (Museum of Contemporary Art in Rome);  Independent Festival of Photography Red Eyes at Forte Prenestino; all the editions of Lady Fest, and recently 11HellHeaven Grand Opening at Inside Art , Rome. 
In October 2016 she created and organized 1 0 1 0, a photography and performance event which was held at the Mondrian Suites Gallery in Rome. 
In April 2017 she attended the Hacker Tube Porn Film Festival at cinema Kino in Rome with WHITE, her first short film. 
In may 2017 she joined the collective exhibition ARTtundressed in Miami. 

MEDUSA, "Ritatto di famiglia II"

MEDUSA, "La casa"

2014 serie di ossidazioni monotipi calcografici – 1/40 progetto speciale di Piotr Hanzelewicz per MU6

Piotr moves on the border between transparency and opacity, both aesthetic and semantic. From 2011 he “lives” his personal exhibitions. His language is conceptual yet un-cold, poetical and political. 

“What remains is what is put on the table but also what is returned back. Often the rest responds to what was said at the beginning of this journey about those ‘ small things of little worth ‘. The rest is all that remains between the ashes when you turn off the fire, and then here are some of these studies, here’s these remains. “

PIOTR HANZELEWICZ, "Quasi un euro"

Christian is a visual artis born in Atri in 1980. He graduated in decoration at the Accademia di Belle Arti in Rome in 2005.Christian works with different languages and techniques: video, photography, painting, organic sound.  He is a composer and a sound designer for the independent label Alchemical Views Productions. 

In 2011 is co-founder and curator of  Macine, a film Observatory in Rome. In 2013 he is co-author of : “Fantasmi Urbani” in partnership with the University of Rome La Sapienza. This docu-film was then presented at MAXXI Film Festival in Rome. 
From 2014 he works on the concept of memory of  food and its origins, focusing his works on issues related to bread making, agriculture and processing of food. 
From 2016 Christian is the artistic Director of the independent Gallery  “Civic 16” in Pescara. 

Exhibitions:
2013 
“Festival del film di Roma” a cura di Anec Lazio presso MAXXI, Museo Nazionale delle arti del XXI secolo, Roma.

2014 
“FOOD CULTURE & SLOW ART”, a cura di Antonietta Campilongo, presso Complesso Ex Cartiera Latina, Roma; 
“PORTAFORTUNA” presso Spazio Y, Roma; 
V edizione di LAND ART al Furlo, a cura di Alice De Vecchi presso la Casa degli Artisti, Sant’Anna al Furlo (PU); 
MAAM – Museo dell’Altro e dell’Altrove, città di Metropoliz.

2015 
“LINE 0”, a cura di Lidia Cheresharova, presso Rampa Prenestina, Roma; 
“CARONJA BIS”, a cura di Artisti & Innocenti presso Parco degli acquedotti, Roma; 
“SPAZIO VARCO”, L’Aquila.

2016 
“DA D’AN” presso Museo Gabriele D’Annunzio, Pescara; 
“GRAMMELOT” presso MACRO La Pelanda, Roma; 
“ARTOCARPUS”, a cura di Lucia Zappacosta, presso Spazio Y, Roma; 
“NUTRIMENTI SPIRITUALI”, a cura di Maila Buglioni, per RAW, Roma.

2017 
“OSTENSORIUM”, presso Fondamenta InsideArt, Roma.

CHRISTIAN CIAMPOLI, "Ostensorium"

“Neobarocca ” 
2015 - 180x85x95 
wood, textile, juta

Born in Naples, Fiamma is an art and psychology addicted. She traveled a lot and now she lives and works in Rome. Her atelier is in via Orazio 31. 
Many are her exhibitions in Italy and abroad (in Austria, France, Spain, Prague, Berlin, London and New York) and the awards she received. Fiamma exhibits at Palazzo Venezia in Rome twice: in 2009 with “Emozioni a colori”, and again in 2011 for the Venice Biennale. 
In 2013 she is in Palermo at Palazzo dei Normanni, with “Contaminazioni Dionisiache”. In 2015, at the Mastio della Cittadella in Turin, she joined the Italia-Cina Biennale. In Rome she presents “Bipolarism” inside Banca Generali headquarters. 

In 2016 Fiamma cooperates with Michelangelo Pistoletto and creates a steel Flame inserted in the “Terzo Paradiso per l’Arma dei Carabinieri” in Rome; at Grattacielo Pirelli in Milan she is co-protagonists of  “Il tempo delle donne. Realtà, Astrazione, Mito.” In 2017 she takes part in Pro Biennale at Palazzo Grifalconi Loredan, Venice, and in Spoleto Arte exhibition at Palazzo Leti Sansi, Spoleto. 
Although with strong roots in the Italian cultural heritage, her creative force gives place to an original, evolving plastic language. As an alchemist, Fiamma manipulates and transforms all sorts of recycled materials (wood, aluminum, jute, polyethylene, tubes, wires, glass), and produces multi-level artworks characterized by the alternation of full and empty. The primordial colors – and, more recently, gold and silver -, the metamorphosis of matter, the archetypal forms are expression of her intimate research for harmony and balance combined with civil and social commitment.

FIAMMA ZAGARA, "Neobarocca"

MEDUSA, "Tabula rasa"

Table Lamp. Size: cm 54x24x7.
Modelled on the major work "Calcoli Improbabili" (ComPUSter No. 2). 

Series of 30 PCs numbered with signature and authenticity by GIGARTE International Archives of Contemporary Art. 
On sale No. 01/30.

MARCO GUGLIELMI, "ComPUSterLAMP"

Ready-made, assemblage, mixed media (mainly wood, iron, organic materials ) + videoart 
n. 6 free-standing installations; each about cm 200 height × 100 width x 150 deep 
Date Completed: 2017

ComPUSter is a "Creature" (not merely a sculpture, being made with parts of animals under resin) in a set of six based on informal/conceptual art, mixed with videoart. Each installation works as a fully-equipped audiovisual module. The focus on performance, the integration of organic materials (such as oxen brains under resin) and the use of video expand the concept of ready-made to new and unexplored horizons. 
Concept: 
ComPUSter is about the decomposition of both organic and mechanical matter, showing at the same time the obsolescence of materials and the obsolescence of minds, ideas and cultures. Old computers and proto-industrial machines joins the brand new computers in the same destiny: the inevitability of decline and oblivion. Within the common concept, each ComPUSter is a unique representation of a different idea.

n.3 Calcolatore di Morte  
Concept: Anyone who thinks that war can solve problems has a chicken brain. This - in no uncertain terms - is the message of an artwork in which a Death machine is operated by a chicken head. On the battlefield, the "toy soldiers" are dehumanized pawns on a surreal and grotesque chessboard whose stupidity is rendered in an absurd video-projection.They are sent to die by chicken-brained bureaucrats that have nothing to do but clawing a button.

MARCO GUGLIELMI, "Calcolatore di Morte" (ComPUSter n.03)

Ready-made, assemblage, mixed media (mainly wood, iron, organic materials ) + videoart 
n. 6 free-standing installations; each about cm 200 height × 100 width x 150 deep 
Date Completed: 2017

ComPUSter is a set of six "Creature" (not merely a sculpture, being made with parts of animals under resin) based on informal/conceptual art, mixed with videoart. Each installation works as a fully-equipped audiovisual module. The focus on performance, the integration of organic materials (such as oxen brains under resin) and the use of video expand the concept of ready-made to new and unexplored horizons. 
Concept: 
ComPUSter is about the decomposition of both organic and mechanical matter, showing at the same time the obsolescence of materials and the obsolescence of minds, ideas and cultures. Old computers and proto-industrial machines joins the brand new computers in the same destiny: the inevitability of decline and oblivion. Within the common concept, each ComPUSter is a unique representation of a different idea.

n.2 Calcoli Improbabili  
Concept: Science and philosophy, the two greatest systems that have governed the fate of humanity for over two millennia, have proved false and questionable. What is true today will not be tomorrow; and delegate to science the explanation of reality is an illusion, because the reality changes with the opinions that we express on it. It is therefore perfectly plausible that the equation "1 + 15" makes "cow", and the (un)Probability Calculator represents the most advanced instrument of approximation to the ultimate truth. 

MARCO GUGLIELMI, "Calcoli Improbabili" (ComPUSter n.02)

Ready-made, assemblage, mixed media (mainly wood, iron, organic materials ) + videoart 
n. 6 free-standing installations; each about cm 200 height × 100 width x 150 deep 
Date Completed: 2017

ComPUSter is a set of six "Creature" (not merely a sculpture, being made with parts of animals under resin) based on informal/conceptual art, mixed with videoart. Each installation works as a fully-equipped audiovisual module. The focus on performance, the integration of organic materials (such as oxen brains under resin) and the use of video expand the concept of ready-made to new and unexplored horizons. 
Concept: 
ComPUSter is about the decomposition of both organic and mechanical matter, showing at the same time the obsolescence of materials and the obsolescence of minds, ideas and cultures. Old computers and proto-industrial machines joins the brand new computers in the same destiny: the inevitability of decline and oblivion. Within the common concept, each ComPUSter is a unique representation of a different idea.

n.1 DeCom PUSter  
Concept: computers are corrupting our intellectual faculties like a brain meat grinder. The blade dominating the composition is a metaphor of the link between the observer and the eye looking from the installation monitor. The eye in the video is the eye of social media: we ourselves created our Big Brother. 

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