(#18)

Plain in Dimension 10

_FaberWHO?_ is a collectible art brand, launched at Red Dot - Art Basel Miami in December 2023 and was enthusiastically received for its creative approach and wide range of themes. 

  
Who's your favorite superhero? 

Who's your most admired singer?

Who's the most remarkable movie character? 

Who’s your favorite celebrity?

A fusion of comics, music, cinema, and fashion inspires each limited-edition piece. These iconic pop culture figures are crafted in an egg shape. Each artwork is handcrafted one by one, numbered, and includes a certificate of authenticity signed by the artist. The pieces are made of solid resin, hand-painted with acrylics and customized accessories, and coated with hot varnish. The entire process is 100% handmade in Italy, from the oval base to the packaging.
  
  

FaberWHO?

I wanted to take stables of life, simplify their form, and process them through a mind deeply consumed by overwhelming emotional & physical information.

eroded statues that I am forced to consider and understand (#27)

(#19) 

(#5)

Sense of misson in each others dreams. (#22)

LA ISLA. (#25)

Plain in Dimension 5

Plain in Dimension 8

headtrash 00002

headtrash 00001

In this series, the tension between figurative elements, naive scribbles and strong graphic interventions provide a starting point to what is certainly one of the most personal works of the artist. Story of a house on fire follows a linear and chronological format of seven paintings. Traditional limits of the medium in use are challenged and spontaneous actions are embraced in order to fully explore the depths of the human condition. Despite the feeling of continuity achieved through the use of similar elements, colors and textures, there is a juxtaposition: figures rotate and transform themselves, with it new details emerge and give way to new perspectives to the story. Reflecting on the dialogue between life and death, the before and after, the passing of time and the fading of the material, Jerusa Simone finds a way to process recent events in her life.

another day

overlooking the man

warnings

memórias de uma partida futura

Almost Cooking in the Desert

16 Obbiettivi

The usually hidden back becomes the main focus of the piece, representing all that we hide from others; layers of fear and anxiety coming through the surface are trespassing the tryptic. Clandestine emotions invade the painting and rot the defensive fences, like a memory faded by time that dissolves behind your back as you look at the sea.

Reverso 1 to 3 (Clandestine Layers)

Plain in Dimension 2

Plain in Dimension 6

Opening - Cuboid 4 

Plain Moved 2

Opening - Cuboid 4

Opening- Block 1

Konverter (OSHI)

Bride Of The Time

On the walls there are the words of the Placebo, the androgynous subject wears typical grunge clothes and the spatial dimension seems to collapse.

Once Upon A Time There Was Grunge

This is the spirit of a woman and her flowers.

Black Poppies

OBJECTS#2

DRAWINGS

OBJECTS

AMONG THE SCENES, BEHIND OUR THOUGHTS
“let’s call it the stream of thought, consciousness, or subjective life.”

PANDEMIC  CONCIOUSNESS

If we begin to think that the future is a remedy for the current condition, we are deceiving ourselves, the current situation can be changed through action, by the extensions of our actions
“All media are extensions of some human faculty – psychic or physical. The wheel is an extension of the foot. The book is an extension of the eye. Clothing, an extension of the skin. Electric circuitry, an extension of the central nervous system. Media, by altering the environment, evoke in us unique ratios of sense perceptions. The extension of any one sense alters the way we think and act – the way we perceive the world. When these ratios change, men change.” - McLuhan, The medium is the Message

QUESTION AND ANSWER

Music in powerful, music is like a weapon, i just want to express myself,let the world know of the way i think.
“Right now,what Rasta is tryng to show is that one should not put on a pot and eat it all off and never know if your neighbourd have a little saucer to eat. thats what we are tryng to em- phassies to the world; all the people to oneness,black and white.” Joseph Hill
IS THIS THE RIGHT WAY FOR A HUMAN AS A POLICEMAN



DUB CAN MOVE MOUNTAIN. 

The "Recon" series, which takes much more freedom in its conceptual basis than its predecessors and successors. It is still subject to the investigation of the effects, after-effects and synergetic dynamics of the individual components and bodies – exploring and representing human relations.


Recon series

Isomorph # 1 focuses on the effects and impacts of social interactions based on repetitive components in changing compositions.

Isomorph # 1

In her work, the artist examines social dynamics. This work, like the other paintings from Simone Florell's series "Reference # 5.", can be read as maps of human relationships. Each of her pictures is a relationship construct formalized by painting, which she makes available to the viewer to be interpreted by him and to reflect on his own (relationship) constructs and dynamics.

Reference # 5 series

The "Revisited Series" starts its investigation of former works by using the binary colors black and white for the first painting and increasing its color palette by subsequently adding one more color for every following piece.

The "Revisited Series" concludes the set of works in this size format and on the medium
paper. It seeks out forms and relationships of the previous series and examines their
dynamics and rhythms by using a modified color concept. 

Revisited series

The Theatrical Performance  “La Danza Dei Fili” (The Dance of Wires)
It was born during the collaboration of the artist Alessandra Silvia De Simone in two theatres of the Education Department of the British Museum in London in 2011/2015 BP and Stevenson Theatre . Due to a moment of pain and difficulty, she reflected on the indissoluble link between the three eternal and universal elements: ”Life, Death and Love”. 
These three elements are always joined in all the countries of the world and make humans all the same.
Starting from just 3 participants, in 2012 in a short performance performed in Porto Venere on the occasion of the Personal Art Exhibition  entitled (LUCE) “Light”, after 3 years the show was presented at the UNESCO Palace in Paris in 2015 for the messages and values it wants to convey: peace, solidarity and equality.
Alessandra Silvia De Simone is the creator of this project of PEACE that is slowly involving children and adults but also artists with some 
disability all around the world.
The show now involves hundred between dancers, gymnasts, choirs, solo singers, and many artists of various disciplines who are gradually involved in the event.
On stage of different ethnicities, customs, colours and they are all semi-professionals or professionals specialized in various artistic and / or sports sectors.
La Danza dei Fili is also a performance of UNION OF ARTS /Contamination of Art and Contemporary Theatre that combines painting, dance, music, poetry, shadow theatre, theatre of the mime, video art, artistic and rhythmic gymnastics, martial arts, acrobatic and circus dances.
Furthermore, the project develops in a creative environment that is never judgmental and everyone feels part of the group. Often the participants do not speak the same language, they come from different countries and yet they feel united in a theatrical project that involves them and educates them to a broad vision of a peaceful orientation towards the world, where everything that is different from us can be just an opportunity for enrichment and global growth.
In fact, the purpose of this project is to increase the sense of universal love and tolerance of what is different from us, in the world, finding in that diversity a reason for growth and comparison.
La Danza dei Fili THE SCRIPT 
Written entirely and edited by Alessandra Silvia De Simone - Italian artist, artistic director, designer of theatre costumes and painter. 
La Danza dei Fili has its own script that Alessandra wrote and illustrated in 2012, it’s always a suggestive and exciting performance and is enriched year after year, in each country, and above all through the encounter with new artists and their indispensable support to the show.
The SCRIPT of La Danza dei Fili comes from a very simple thought, apparently banal; in fact, it’s the basis of equality between peoples and cultures, present and past, and between past and future. The element that links the threads (unions) of the whole world.
From this concept the title of the show "LA DANZA DEI FILI" was understood as the CONNECTION between humans, among the elements of life, between  stars and moon, night and day, between opposites, white and black, truth and  lie,  peace and war,  hatred and love, between good and evil, between hope and despair, between the beginning and the end of everything!


La Danza dei Fili (The Dance of Wires)

Since the first day of quarantine I gave myself two rules: do not think about the aftermath and do not accept video calls. At the beginning I was shaken by the adrenaline of curiosity about the strange situation, but you get used to everything, even a lockdown. 

I live in the countryside where the effects of coronavirus are less visible. This can be frustrating for a photographer, but at least the plenty of space and the nearby streets are a good safety valve for not suffering from the sense of claustrophobia.

I started taking pictures of what I saw inside my perimeter, or a little outside without the idea of wanting to tell something to someone. It was quite a different form of gym to occupy the present.

However, in the end I accepted a couple of video calls.

How I Learned to Stop Worrying and Love the Virus

In my work I examine social dynamics. The works can be read as cartographies of human relationships. Each of the paintings is a relationship construct formalized by painting, which makes them available to the viewer to be interpreted by him or her and to reflect on their own (relationship) constructs and dynamics.

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SIMONE Bolijn-Ahrens

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