I am in interdisciplinary artist and my practice explores the nature of constructed space and
how perceptions of our environment are built through utilizing architecture and garment
construction to investigate their shared theoretical and production strategies. Work explores the
rendering of space through objects that vacillate between habitations and figurative sculpture
articulated by the exchange of qualities from the body (organic) and the built environment
(inorganic). Outcomes are often sculptural and may resonate with or confront the ergonomics
of the human body which is usually present by inference. Materials used evoke movement and
changing mass in the structural support and shifting surface. Luminous prismatic shapes tend to
hover in space, on the floor or attached to walls. Non-orientable surfaces orchestrate interplay
of reconfigurable architectonic forms which imply continuous expansion and protracted stillness
with a delicate sense of equipoise. Applied to the body, the objects envelope and distort the
silhouette, and when installed create an unfamiliar sensuality by erupting from surfaces recalling
corporeal and architectonic topographies. Outcomes often blur the line between
interior/exterior, object/surface, permanent/ephemeral, gender/genderless, nature/culture.