“Chimera to affirm the impossibility of transforming past experiences, because if I crave the sky not having wings, I am only a reverie for those who look at me, but, even unable to fly with my fixed feet in which I am predestined arrested, this floor that roots me is no longer absolute looking to what I crave so hard, my eyes fix itself to the worldly desire, changing all the perspective, creating hardness, so I become the most beautiful of all birds. This is the moment in which I discover that to accuse is the comfort of the prisoner, because he points to what he doesn’t know and believes to fly is an illness.”
Photography is taken a dramatic representation, used as approach core and exploitation of the self-psyche, emotional linkages, mental disorders, traumas and depression. In the case of memories that occurred in a substantial past, for the construction of the present. This same past is over, allowing changing lived situations, going to a new path to that experience through the photographic reprocessing. A derived and large in possibilities scene, which protagonist becomes auxiliary-ego, transforming its past in a perspective from another, distancing from the screenplay, desensitizing the situation through self-pictures frames that tells each step of the history, although allowing the manipulation, physical, digital and contextual of the denouement. The daily heart, ready to receive changes under remembrances not owned any longer. If there are ancestral beliefs, of situations and characteristics passed on, I believe that this lace was cut when the photography allowed me to materialize different ends of all the stories attributed to the story that was made of me. It was not possible to be back to the past, but each moment was reprocessed, redefining signs, and making a self-process from the substance.

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A DIARY WITH MEMORIES THAT I DO NOT HAVE