Steffen Kasperavicius constructs relationships between irritation and disappointment, between fiction and reality. Familiar icons, equipment and structures are manually or digitally manipulated and reinterpreted theoretically, committed to a context shift. The works, which result by concentrated and longterm organised collections of archives, are confronting the audience with sculpture and video, installative interventions or with the archive itself. Consequently, he questions about solutions of technique, execution and rhythm as well as thematical content like absence, time manipulation, art-historic links, architecture and (anti-)interaction.