Painting of earth in dull colors to represent the deterioration of the planet. Showing that "The Blue Marble" we knew is no longer as colorful.  

A Dying World

ever since I've had a camera I always had a goal, a very specific goal to aspire and it is to capture a picture similar of a girl in a room around sunset in spring going to a winter picture on which I had to learned through kinship and perseverance. now that I'm at the peak of my age, got the resources and time for polishing it now is the time to present what I've been trying to study and aiming for almost a decade already. through specific shot of darks, lights, and colors.

here it is.

this seems just me in a picture. but to me this is it. this is all my sweat and hard-work put into a creative process. the said picture that I told was just a very very vivid image to my memory a picture that i hold on my right hand thinking solemnly this is me. this should be my artwork. and with the lock down and isolation i manage to embrace it, i've been neglecting this feeling but now i fully accept it that i am still that person who aspire to be that photographer when I was a teenager. and I've never been so proud for my self. and this is the thing that no one can snatch on me because I know to myself I can create it. and I can replicate it with anything that I can use.

I sTILL AM

BBC Radio One Reboot
A glitchy distorted promo for Radio One Reboot. Created by directors Pensacola. With nods to the mash up styles of  internet gifs.
 
Credits
Client: BBC Radio One
Agency: Karmarama
Studio: Forever Pictures
Director: Pensacola
Post Production: Lewis Kyle White
Role: Design/Animation/Compositing

BBC Radio 1 Reboot

Potatoes That Speak For Themselves
Directors and good friends of mine, Mikey Please & Dan Ojari have brought their stop motion expertise and design talents together for this beautifully crafted commercial for GreenVale Potatoes. Created with meticulous attention to detail and hundreds of hand painted 3D printed models, the commercial not only delivers on humour, but also on an aesthetic quality not often seen on British television.
 
Credits
Client: GreenVale
Agency: Aesop
Studio: BlinkInk
Directors: Mikey Please & Dan Ojari
Role: Compositing

Potatoes That Speak For Themselves

My Time Is Now - Nike
Part of a collection of films created to coincide with the Euro 2012 Championships, featuring some of the biggest names in football across player specific films, as well as national group films.
 
Working alongside Nike’s Brand Design team, Intro animated press photographs from Nike’s Summer 2012 "My Time Is Now" brand campaign to create films that conveying each athlete’s “hunger through a lens of impatience”. The in-house Intro post-production team combined 3D & 2D animation to create explosive and fluid loops packed with strength, energy and progression – the essence of Nike’s Breaking Through creative.
 
The films were made in a variety of formats for the Nike take over even in the Zloty Tarasay Shopping Mall in Warsaw. The atrium was transformed into a football pitch, a huge LED screen was installed, high definition columns, an LED floor and interactive podiums for products. Very exciting.
 
Credits
Client: Nike
Campaign: My Time Is Now
Nike Creative Director: Eric Duvauchelle
Nike Art Director: Kevin Coatman
Studio: The Intro Partnership
Director: Julian Gibbs
Role: Animation/Compositing

Nike Campaign

Before Your Very Eyes
We’ve all come to expect Andrew Thomas Huang to deliver the mesmerising visuals, but here he’s really surpassed himself. Having filmed Thom Yorke in LA, live footage and stop frame sets were then re-worked in CG, in order to turn the singer into an Ozymandias-style statue in the desert. 

Meticulous work was then done in the BlinkInk studio, using specially written VFX programs to cope with Andrew’s vision for the design and animation. The result is an eye-melting tour of mountain ranges, crumbling cities, and psychedelic cave systems, all pulsating to the tones of Atoms for Peace. 
 
With its grainy finish and perfectly judged colour palette, there’s really nothing else like it; following his collaborations with Bjork and Sigur Ros, this is the work of a director who is truly in his stride.
 
Credits
Client: Atoms For Peace
Label: XL Recordings
Studio: BlinkInk / Colonel Blimp
Director: Andrew Thomas Huang
Producers: Ben Welsh & Matthew Marsh
Executive Producer: Tamsin Glasson
Role: Compositing

Atoms For Peace - Before Your Very Eyes

The Bear & The Hare
The John Lewis Christmas campaign has become a symbol of the start of the British festive season. 2013 was no different with the creation of "The Bear & the Hare", Elliot Dear and Yves Geleyn’s heartwarming animated film for John Lewis and agency Adam & Eve DDB.

There once was an animal who had never seen Christmas. As autumn winds turn to winter snow, the bear begins his annual retreat into hibernation to sleep his way through the best part of the year. The festive spirit is strong though, and his friend the hare is determined to give him a gift he has never received before – Christmas.
 
Credits
Client: John Lewis
Agency: Adam & Eve DDB
Studio: BlinkInk / Hornet
Director: Elliot Dear and Yves Geleyn
Role: Compositing

The Bear & The Hare

A showreel showing some of the work that I have helped to produce so far.

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