Like wrecked people in search of a relief, we badly search ways to comunicate. What seems to be invisible is actually transformed by the eyes into a weft reflecting in the wind.

with Lilia Susan Falconi
sound Gjoke Gojani e Gianluca Licata

Radar

Attractive and blurred lights appear to us in a context without any definite distances and if we did one step further into it we feel like we could fall in an empty space. An organic nightmare shows itself to be an harmless pearl : what steps out of our deep self offers nothing but a blank and ambiguous answer.What appears to us is not what it really is.

In collaboration with Agustin Sanchez e Gianluca Licata


Stop - light -stop

The slow reflection of a house interior reveals indefinite spaces and objects.
Through a filter-eye, reality is distorted and becomes the container of another reality.

A transparent fullness towards a fragile emptiness

Time causes the transformation of all things, which does not always clearly appear to us if not ingenuously.
The video invites the spectator to slowly move his look upwards thus following the movement of the camera. The video is about catching time passing by with the image of two trees transforming themselves into a “natural” ladder within a forest.

Whereas I count the rungs, I fall backwards a mirror laughs at me

I am ironically enlighted and dimmed by a beam: impassive I can do nothing but reflecting this unconventional work.
At the same time, events take shape and move on my round spectacless.
I can only show them without moulding in a sort of unnatural silence which makes me deaf.

Reflex caused by the deafing silence chaos

My silhouette and my shadow seem like two separate entities within a bathroom full of water vapour, some kind of a luminous limbo.
As I get near the mirror, my silhouette becomes less and less definite and the attempt to catch a real image seems to fail.
The video represents a metamorphic figure that through her quest of identity becomes a mere shadow.

Two sketches in search of an unfinished doubt

The video starts with the image of a swimming pool recalling the illuminated stage of a theatre; as I walk from left to right, I mean to represent time passing by.
My vanishing shadow, when I slip into the water, does not suggest the end of the course but our impossibility to catch time as a whole.



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