Polly’s Playhouse

Photography, image from ongoing series, inkjet print, 58 X 37 cm, 2021

Untitled

Glass is blown through a copper wire form then incorporated into mixed media works where repurposed aluminum, steel and copper are combined with plastic and enamel paint. 

Alluding to representation of botanical forms, these works are abstracted and almost alien or surreal appearing plant formations. The works can exist singularly or installed together in an installation format. 

Hand blown, sandblasted glass, repurposed copper and aluminum, plastic fencing, wire and enamel paint. Approx. 14” x 16” x 10”, 2019

Flirt & Divert

"TAKING TIME" TO REFLECT, TO PRESS THE BUTTON, TO LOCK OUT THE OUTSIDE, TO BE IN THE INSIDE.

WHAT IS YOUR INNER LANGUAGE? WHAT ARE YOUR INNER FORMS? GET IN TOUCH WITH YOURSELF AND DRAW YOUR HIDDEN LINES. NOW TAKE YOUR TIME TO READ. 

IN AND OUT, 2020

December

What is Art?

Istanbul

YOLO 

Hundeleben 

Anderswelt 

Schatten unter Palmen 

Winter II

Winter I

Under construction 

Frankfurt Skyline

Twirlin

It's Only My Mask

I Don't Want to Look

It'll Be Our Secret Handshake

Draw Me Like One of the Girls

Transformin'

Hold Me Closer, Space Dancer

Sad, Sad Bird

Kinda Krabby

Get Go, Get Gone

Keeper of the Fort

Gotta Love Me

It's In There, Somewhere

Yellow Rocks

Black Strichels

FREEDOM

Toy Warfare

EGO 2

Heartsick on the Open Sea

Polyphemus in the Clouds

Sisyphus 

Clown Dream

Thunder Brain 

Tea Party

Angel of Violence

Photography, image from ongoing series, inkjet print, , 57 X 38 cm, 2021

Glass is blown through a copper wire form then incorporated into mixed media works where repurposed aluminum, steel and copper are combined with plastic and enamel paint. 

Alluding to representation of botanical forms, these works are abstracted and almost alien or surreal appearing plant formations. The works can exist singularly or installed together in an installation format. 

Sandblasted blown glass, repurposed copper, aluminum, plastic and wire with acylic and enamel paint.

Approximately 17” x 18” x 16”, 2020

Clairaperennial 5

Glass is blown through a copper wire form then incorporated into mixed media works where repurposed aluminum, steel and copper are combined with plastic and enamel paint. 

Alluding to representation of botanical forms, these works are abstracted and almost alien or surreal appearing plant formations. The works can exist singularly or installed together in an installation format. 

Blown glass, repurposed aluminum and copper, plastic, wire and enamel paint. Approx. 24” x 24” x 24”, 2020

Clairaperennial 4

Painting meets sculpture in these mixed media artworks. Using a combination of canvas, fabric, paper and repurposed aluminum from craft beer cans. Works are hand stitched and woven together to create the complex and undulating surfaces. 

This work is part of a series all completed during the “no collussion” era of Trump sayings. “Crafty” being a term that can be used for multiple purposes, from being interpreted as clever or skilled to devious and deceptive these works play with duality. They are between painting and sculpture, craft and fine art and the surfaces are created to appear both sharp and soft at the same time.

Acrylic and enamel paint on canvas, paper, repurposed aluminum with image transfer print, plastic fencing and wire. 86” H x 67” W x 15” D, 2018

Crafty Collusion 3

Painting meets sculpture in these mixed media artworks. Using a combination of canvas, fabric, paper and repurposed aluminum from craft beer cans. Works are hand stitched and woven together to create the complex and undulating surfaces. 

This piece is part of a larger series, all completed during the “no collussion” era of Trump sayings. “Crafty” being a term that can be used for multiple purposes, from being interpreted as clever or skilled to devious and deceptive these works play with duality. They are between painting and sculpture, craft and fine art and the surfaces are created to appear both sharp and soft at the same time.

Acrylic and enamel paint on canvas, paper, fabric, repurposed aluminum and wire. 

82” H x 68” W x 13” D, 2018

Crafty Collusion 4

Painting meets sculpture in these mixed media artworks. Using a combination of canvas, fabric, paper and repurposed aluminum from craft beer cans. Works are hand stitched and woven together to create the complex and undulating surfaces. 

This piece is part of a larger series, all completed during the “no collussion” era of Trump sayings. “Crafty” being a term that can be used for multiple purposes, from being interpreted as clever or skilled to devious and deceptive these works play with duality. They are between painting and sculpture, craft and fine art and the surfaces are created to appear both sharp and soft at the same time.

Acrylic and enamel paint on canvas, paper, fabric, repurposed aluminum, plastic fencing, wire and mesh. 86” H x 68” W x 16” D, 2017



Crafty Collusion 1

“Ecologia” is a piece dedicated, as the title describes, to ecology, it reflects on humans improvident plastic waste and it creates an imaginary soundscape by sonifing the image of all land fields of earth bulging with plastics.

Using audio inputs as the main source of activating and processing prerecorded sounds, this composition aims to underline the responsibility of humans to the ecological crisis. At first, it creates a figurate source boned relation of humans and repercussions of his actions like the one we instantly perceive by listening to the prerecorded plastic sounds and voice.

Experiencing the piece, we perceive the vicious circle of plastic use. The performer as a human uses the plastic as an instrument to activate and sound processing. Specifically the sound of its own voice giving the message that his actions will go back to him eventually. 

"Οικολογία" (ecologia) - performance for Mezzo Soprano , plastic objects and live electronics

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Christina Danick

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