pre- and postdoctoral fellowships

Getty Pre- and Postdoctoral Fellowships are intended for emerging researchers to complete work on projects related to the Scholars Program’s annual theme. While in residence, fellows may pursue research projects, complete dissertations, or expand dissertations for publication. There are dedicated grants for fellows who are expanding critical inquiry of African American art and its frameworks as part of the Getty’s African American Art History Initiative (AAAHI). All recipients are invited to make use of Getty Research Institute (GRI) collections, join in weekly lectures, and participate in intellectual life at Getty. Predoctoral Fellows may be in residence at the Getty Center, while Postdoctoral Fellows may be in residence at the Getty Center or Getty Villa.

Annual Theme: Provenance

In recent years the study of provenance has expanded in urgency and scope, in line with the art historical turn toward the lives of objects, and also in response to evolving debates regarding the ownership of art. Relevant to all periods and areas of art production, provenance research brings to light fundamental questions about who may lay claim to art and how objects transform as they change hands, collections, and exhibition venues. Increasingly available information on broken chains of ownership caused by theft, illicit trade, and historical looting have fueled restitution debates and ignited questions about the ethics of collecting in climates of conflict or asymmetries of power. Digitization and databases have also opened up the interdisciplinary possibilities of provenance research and laid the ground for art restitution efforts and other forms of reparation.

For the 2026–2027 year, the Getty Scholars Program invites innovative proposals for projects that explore provenance and adjacent research areas, including but not limited to the history of collecting, the study of the art market, and broader explorations around the ownership of art objects. The scholar cohort will be invited to examine and critique the arena of provenance studies while also envisioning its future, situated between the practices and demands of source communities, art historians, museums, and the market. Applicants are invited to propose projects, either individual or collaborative, that reflect upon the ownership, transfer, and movement of art objects from all world regions and time periods.

For this year, the Getty Scholars Program aims to link scholars with Getty resources and researchers and foster a lively community around the study of provenance—an increasingly significant domain of art historical and curatorial practice that centers the histories of both objects and people. While in residence, scholars will have the opportunity to delve into the Getty Research Institute’s vast collections of rare materials that support provenance research and explore the newly remodeled Getty Provenance Index, which lays the ground for cutting-edge computational approaches to the field.