Her newest series, “Landscape of Pli” is a process of exploring the hidden truth which is Seeing the Unseen, Hearing the Unspoken, but also a spiritual journey of discover oneself at the end who knows nothing like Socrates said. To explore this, her work begins from the concept of ‘wrinkles’ (hereinafter referred to as ‘Pli’) often mentioned by Gilles Deleuze, a post-structuralism philosopher who explored the metaphysical relationship between ‘identity’ and ‘difference’.

Driven by the desire to contextualize this concept of ‘Pli’, she uses the fragments obtained from deconstructing her figurative paintings to create art that reinvents narrative and redefines meaning. For this, the collage technique was used dynamically and colorfully, and through the use of juxtaposition, she tried to expose the beauty in chaos. This Landscape is created by fragments of various shapes extracted from the original are placed in reverse front and back, the inside and outside are flipped, and the visible becomes invisible. 

Many Plis, stacked on top of each other, are irregularly warped, jagged and connected layer by layer. This multi-layered landscape is filled with ambiguous images of fragmented memories or senses, sometimes appearing like a thousand-year-old plateau where layers of time have been piled up.

To complete the psychological landscape of the abyss, dynamic energy is injected here through the careful use of saturated technicolor elements. Images that have absorbed color finally seem to come alive across the layers, then emerge as an illusion, and then suddenly lose their shape due to different layers or play as a different image than before. But they don’t come together to create a single narrative.

Through this approach, she want to show a journey in which images of multiplicity are connected to each other and repeat explications and implications creating another difference, and then re-creating themselves as something new. Above all, every image that completes the “Landscape of Pli” is as fluid like water, allowing for multiple interpretations, inviting viewers to peel back the many layers and will help them to discover the wise man’s wisdom underneath in the end : 

**_“I know that I know nothing.”_**

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Her newest series, “Landscape of Pli” is a process of exploring the hidden truth which is **Seeing the Unseen, Hearing the Unspoken**, but also a spiritual journey of discover oneself at the end who knows nothing like Socrates said. To explore this, her work begins from the concept of ‘wrinkles’ (hereinafter referred to as ‘Pli’) often mentioned by Gilles Deleuze, a post-structuralism philosopher who explored the metaphysical relationship between ‘identity’ and ‘difference’.

Driven by the desire to contextualize this concept of ‘Pli’, she uses the fragments obtained from deconstructing her figurative paintings to create art that reinvents narrative and redefines meaning. For this, the collage technique was used dynamically and colorfully, and through the use of juxtaposition, she tried to expose the beauty in chaos. This Landscape is created by fragments of various shapes extracted from the original are placed in reverse front and back, the inside and outside are flipped, and the visible becomes invisible. 

Many Plis, stacked on top of each other, are irregularly warped, jagged and connected layer by layer. This multi-layered landscape is filled with ambiguous images of fragmented memories or senses, sometimes appearing like a thousand-year-old plateau where layers of time have been piled up.

To complete the psychological landscape of the abyss, dynamic energy is injected here through the careful use of saturated technicolor elements. Images that have absorbed color finally seem to come alive across the layers, then emerge as an illusion, and then suddenly lose their shape due to different layers or play as a different image than before. But they don’t come together to create a single narrative.

Through this approach, she want to show a journey in which images of multiplicity are connected to each other and repeat explications and implications creating another difference, and then re-creating themselves as something new. Above all, every image that completes the “Landscape of Pli” is as fluid like water, allowing for multiple interpretations, inviting viewers to peel back the many layers and will help them to discover the wise man’s wisdom underneath in the end : 

**_“I know that I know nothing.”_**

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Her newest series, “Landscape of Pli” is a process of exploring the hidden truth which is Seeing the Unseen, Hearing the Unspoken, but also a spiritual journey of discover oneself at the end who knows nothing like Socrates said. To explore this, her work begins from the concept of ‘wrinkles’ (hereinafter referred to as ‘Pli’) often mentioned by Gilles Deleuze, a post-structuralism philosopher who explored the metaphysical relationship between ‘identity’ and ‘difference’.

Driven by the desire to contextualize this concept of ‘Pli’, she uses the fragments obtained from deconstructing her figurative paintings to create art that reinvents narrative and redefines meaning. For this, the collage technique was used dynamically and colorfully, and through the use of juxtaposition, she tried to expose the beauty in chaos. This Landscape is created by fragments of various shapes extracted from the original are placed in reverse front and back, the inside and outside are flipped, and the visible becomes invisible.

Many Plis, stacked on top of each other, are irregularly warped, jagged and connected layer by layer. This multi-layered landscape is filled with ambiguous images of fragmented memories or senses, sometimes appearing like a thousand-year-old plateau where layers of time have been piled up.

To complete the psychological landscape of the abyss, dynamic energy is injected here through the careful use of saturated technicolor elements. Images that have absorbed color finally seem to come alive across the layers, then emerge as an illusion, and then suddenly lose their shape due to different layers or play as a different image than before. But they don’t come together to create a single narrative.

Through this approach, she want to show a journey in which images of multiplicity are connected to each other and repeat explications and implications creating another difference, and then re-creating themselves as something new. Above all, every image that completes the “Landscape of Pli” is as fluid like water, allowing for multiple interpretations, inviting viewers to peel back the many layers and will help them to discover the wise man’s wisdom underneath in the end :

**_“I know that I know nothing.”_**

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Hee Jung Han