The exhibited digital graphics are structurally nearly identical, exploiting typical photographic aesthetic. This duality positive and negative forces the viewer to experience duality of the same image, which, however, triggers different emotional experiences, different feelings of the depth of the image, their rhythm, melody and counterpoint. Vertical thinly drawn lines direct fluid graphic flow  as in precisely drawn musical score such as one may find in contemporary music where musicians are exposed to personal interpretations of different art forms instead of musical score. Thus, it seems that the viewer's vision, when looking at these two graphics, is somehow visual-artistic, form-sounding, synesthetic, and they can be spontaneously indulged in by sight and hearing. On the other hand, the graphic field divided by lines of strict separation incorporates intersections represented by basic geometric shapes, a places where long distance communication takes place converting separation lines into a communication network.


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Distant flow