The process of working on monotype collages starts with rapid monotype printing, enabling chance strokes, creating a large tonal and textural variety, keeping my printed material unexpected, rich and lively. Once all the papers are printed and dried they become raw material with a new creative potential. The process is slow, one of observation, placement, arranging and rearranging.
In my work I search for a distilled sense of space; creating compositions which exist on the border between order and disorder, between sense and a lack of sense. Movement and rhythm are main themes I am occupied with in my work: how can I render the simultaneity which is an essential quality of space and of life? How can an image be packed with energy similar to that existing in the observed world?


Add

Metopolis