I see the development and use of digital tools like an iPad and Pencil in the same way that that tube of paint advanced plein air in the past. I think it’s the most exciting time to be a landscape or plein air artist. We’re at a point where the scientific advancement of the iPad allows us to bring plein air back inside into the printshop or scaled up into public art. When one looks at my work you can see plein air concepts throughout it and, while it’s important to be able to paint plein air traditionally with oils, I believe it’s equally important to maximize new technologies and allow plein air to crossover to other media in new and innovative ways.


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