Think of light-sensitive materials as surfaces with near magical properties.
With such darkroom technique as luminogram, a possibility of trapping light movement and making
direct impressions on photo paper can reveal itself. The cameraless approach is intended to liberate
everyday forms from their usual associations and to create a painting with light. By using various light
sources the artist sets out to practice alternative darkroom techniques that create a challenge
to the doctrine of straight visual representation. This method provides richer insights into the
photographic procedure than shots taken mechanically with a camera. The conditions in which all those
events take place are the primary conditions of photography – conditions of light and time. 
With the luminogram technique, the artist explores the process of crafting a
photographic impression from beginning to end. 

Alternative, and at times, antique processes, abstract - inward looking images - the photographer decisively replaces the humanist documentary with a display of photographs presented as themes or events in themselves. 
The combination of the qualities of the photographic paper and the arranged happenings stimulate the early twentieth-century desire to photographically capture the forces of a metaphysical activity. 

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Paper with a Scar